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Javed Chaudhry Article on UZBEKISTAN.
22/09/2018

Javed Chaudhry Article on UZBEKISTAN.

06/03/2017
For More details plz contact 03009745458
06/03/2017

For More details plz contact 03009745458

Javed Chaudhry in Uzbekistan
26/02/2017

Javed Chaudhry in Uzbekistan

From April 5th 2017
23/02/2017

From April 5th 2017

Article of Javed Chaudhry about Tashkent.
02/04/2013

Article of Javed Chaudhry about Tashkent.

Beautiful Uzbekistan
04/03/2013

Beautiful Uzbekistan

Fly on first flight from Islamabad on 15th March and get special discounts.
26/02/2013

Fly on first flight from Islamabad on 15th March and get special discounts.

Now u can fly from Islamabad To Tashkent weekly 2 flights from March 2013.

BukharaHistory, monuments and pictures of Bukhara, Uzbekistan Geographical coordinates: 39°46'29"N 64°25'43"E Area: 39,4...
26/02/2013

BukharaHistory, monuments and pictures of Bukhara, Uzbekistan Geographical coordinates: 39°46'29"N 64°25'43"E Area: 39,4 sq.km Population: 270,600 (2005) Time zone: UTC+5 Telephone code: 8 365 Automobile codes: 80-84 Bukhara is an ancient settlement with a history that goes back to the early centuries A.D. In the 6th century it became the capital of the early feudal lands of the Bukhara oasis. As the Shakhristan, the centre of a shah's realm, it was formed around an ancient citadel, but with the development of handicrafts and trade, new suburbs (rabads) arose beyond its walls, which were included with the Shakhristan in a new fortified wall. Remains of it dating back to the sixteenth century have survived to our day. Bukhara preserves genuine treasures of architecture of the pre-Mongol period, although not very many in number. One of them is the mausoleum of the Samanids, built in the ninth and tenth centuries. This modest structure is, by virtue of its artistic aspect and the lucid logic of its construction, a true monumental piece of architecture. The art of its construction, the virtuosic use of fired brick in decoration, and the lay-out of the building place it among the masterpieces of world architecture. The architecture of the following period is better expressed in the Kalyan minaret, built in 1127, at the same time as its Djuma (Friday) mosque (for prayer of the assembly, observed on a Friday), which no longer exists.The powerful column of the minaret is 9 meters in diameter at the base and grows slightly narrower towards its 46 meter height. The minaret is exquisite not only in its magnificence and ornamental brick work but also for the art with which it was built. It has stood for 800 years now without once needing repairs. Outside the walls of Bukhara stands the Namazgah, a mosque for five-times daily private prayers (built in 1119-1120), with a sixteenth century Triple-arch gallery. The south portals of the Magoki-Attari mosque are highly characteristic of the very decorative architecture of the twelfth century. The decorative details of the portals are famous because of the fine techniques involved. The few Bukhara masterpieces extant of the 11th and 12th centuries testify to the splendid building skill of the architects of the period, and the subtle artistry of their ornamentation. In the post-Mongol period there was no extensive construction work in Bukhara and in the other cities of Central Asia. But in the next century there was increased activity in this sphere. During the time of Ulug Bek Bukhara acquired a new madrasah (1417). Everything in it is characteristic of Ulug Bek architecture - the clarity of the design, excellent proportions, and understated decorative details. In the 16th century, after the establishment of the Uzbek Shaibanai dynasty, Bukhara once again became the capital of a large Central Asian state. The city grew and new walls were built. The intensive construction here started with a Friday mosque, erected in 1514 in the place of an older twelfth century mosque beside the Kalyan minaret. It became one of the biggest structures in Central Asia. On the other side of the square in which the minaret stands, the Miri-Arab madrasah was built in 1535-1536. The madrasah, the mosque and minaret comprise one of the most impressive ensembles in Bukhara. The same method of kosh, or, of paired buildings, was used in the construction of the kosh-madrasahs, the Modari-khan (1566-1567) and the Madrasah of Abdullah-khan (1588-1590). The architecture of small town mosques combined the technique of monumental architecture and popular tradition. Such are the Balyand and Khoja Zaineddin mosques (16th c.). The ornamental design of their interiors is on a par with the best Samarkand structures of the fifteenth century. Civil building played an important role in 16th century Bukhara architecture: the bazaar takis, caravansarais and baths. They are extremely expressive in their clear-cut silhouettes and constructional solution.One of the important Bukhara ensembles, the buildings around the Lyabi-khauz date back to the 17th century. The earliest of them, Kukeldash madrasah (1568-1569) is the largest building in Central Asia among similar structures. In 1620 the Lyabi-khauz pool was dug in front of it, faced with large lime flagstones and its perimeter planted with trees. At the same time, on the two sides of the pool were built the "khana-gah", a mosque and hospice, and the Nadir-Divan-Begi madrasah. The structures stand by the expansive surface of water in a most effective way. The kosh technique was also used in the construction of the last important Bukhara building, the Abdulazis-khan madrasah (1652), opposite the Ulug Bek madrasah. Despite the fact that the two buildings differ in dates of construction, divided as they are by two centuries, they comprise a united and austere architectural ensemble. In the eighteenth century, owing to the political situation, construction in Bukhara lost its former creative power. The individual buildings and whole ensembles of Bukhara played a great role in urban construction and continue to do so even today. The technique of placing them in groups in certain combinations strengthened their artistic influence and gave the finishing touches to the squares and thoroughfares of the city. It is in this that the importance of the architectural ensembles of Bukhara lies. Restored and preserved, they have now acquired a new lease on life, and comprise an integral part of the modern city's flavor. The 4thc. BC conquest by Alexander the Great. 312 BC establishment of the Selevkids dynasty. The 8thc. AD Bukhara was conquered by the Arabs under command of Kuteyba-ibn-Muslim and began growing as cultural, religious, and philosophical center. The 9thc. - status of the capital of the Samanids state. 892 - 907 reign of Ismail Samaniy. The 9thc. - 10thc. development of handicraft production. 961 - 976 reign of the Emir Mansur-ibn-Nuh; Bukhara became the center of writers, scientists, and artists; the reign of the Samanids was marked by the flowering of architecture. 999 Bukhara was conquered by Nasr from the dynasty of the Karakhanids. The 11thc. Bukhara was conquered by Khorezm-shah's brother; the beginning of the Sadrs dynasty. 1141 Bukhara was under authority of Kara-Chinese. 1241 having suppressed the uprising of craftsmen, Khorezm-shah Mohammed annexed Bukhara to Khorezm. 1220 Bukhara conquered by Mongols of Genghis-Khan. The 13thc. Bukhara was destroyed and devastated by the Mongols. The 14thc. - 15thc. the era of the Temurids. The 16thc. Bukhara became the capital of the Bukhara Khanate. The 18thc. Bukhara was conquered by the Iranian shah. The end of the 18thc. overcoming the crisis, Bukhara returned to the Bukhara Khanate. The beginning of the 19thc. war for land between Bukhara and Khiva as well as the war between Bukhara and Kokand for possession of Dzhizak, Tashkent, Hodjent. The end of the 11thc. Bukhara became a vassal of Russia; the continual interference of Tsarist Russia in the domestic and foreign affairs of the Bukhara Khanate resulted in the complete dominion of Tsarist Russia over the Khanate. Reign of the last emirs of Bukhara Khanate: 1885 - 1910 the Emir Said Abdullakhid. 1910 - 1920 the Emir Said Mir-Alimhan. From 1924 Bukhara was a part of Soviet Uzbekistan. Present day Bukhara is a historical and archeological museum under the open sky. Bukhara is approaching the age of 2500. Sister Cities to Bukhara: • Cordoba, Spain • Rueil-Malmaison, France • Lahore, Pakistan • Santa Fe, New Mexico, USA • Malatya, Turkey

After visiting Bahuddin Naqashbandi we went to see the oldest building in Bukhara. The Ark or Arg of Bukhara is the cent...
15/02/2013

After visiting Bahuddin Naqashbandi we went to see the oldest building in Bukhara. The Ark or Arg of Bukhara is the central citadel within the city's larger mud wall fortifications. It has served a multitude of royal functions over the last twelve centuries ranging from military barracks and palatial quarters to administrative offices. Currently situated as a citadel within the northern section of the old city, it was originally built as an independent fortress and had stood distinct from Bukhara's earliest shahristan, or city center. With its sloping mud walls, this Central Asian citadel is in dire need of repair. As a structure that was continuously used through the centuries, it demonstrates the transformations in military architecture and technology from early Arab rule until the modern Russian state. The Ark has been shrouded in mythology from early times. Abu Bakr Muhammad Ja'far Narshaki's history of Bukhara from the tenth century attributes it to a legendary Iranian prince, Siyavush. Mansur Abu al-Qasim Firdawsi's Shahnama from the eleventh century declares as the Ark's founder, Shiri-Kishvar, a vassal of the Turkish Kagan Kara-Churin from the end of the sixth century. Sources from the Sassanids (226-652), through the Sogdians (ca. third to eighth century) confirm the fortress's existence. Kuteiba ibn Muslim, Arab vice regent of Khorasan in 705-715, had built the first mosque here and renamed the fortress, Kukhendiz. Ismail bin Akhmad, or Ismail I (892-907) who embellished Bukhara as capital of the Samanid dynasty capital made significant additions. Arslan Khan Mukhammad (1102-1129) commissioned new sections as part of the Qarakhanid Dynasty's ambitious construction campaign. Later, Makhmud Yalavach as Mongol governor of Bukhara undertook major repairs in 1220 after Genghis Khan's pillage of the city. Timurid ruler Ulugh Beg (1447-1449) and Shaybanid ruler Abdullah Khan II (1583-1598) were responsible for expanding citadel to enclose three hectares. Ashtrakhanid rulers Abdul Aziz Khan (1645-1680) and Ubaidullah Khan (1702-1711) radically rebuilt the Ark. It was modified in section with the Mangit Dynasty's reinforcement of its western walls with kiln-dried bricks in the early nineteenth century. The citadel has changed little after a devastating fire in 1920 that destroyed some later-period wooden buildings. Five projecting, circular bastions protect the structures behind the Ark's tapering walls. Built in mud brick, these crenellated walls enclose buildings erected atop an earthen mound. This artificial hill is believed to be composed of layers of building rubble, whose gradual rise required piecemeal heightening of the fortification walls and their resulting eccentric profile. The Ark's internal layout is largely governed by the primary east-west street connecting Bab as-Sahl (Western Gate) and Bab al Djum (Eastern Gate). The latter, also known as Darvaza Guriyan or the Hay-seller's Gate, led out from the citadel to the Jami mosque, before being blocked in recent times. The remaining historic structures are clustered in the northwestern quarter of the citadel, near the primary western portal. This gateway is reached by a steep ramp that served as a naqqar khana (bandstand), and alternately as a ceremonial balcony overlooking Reghistan Square. From here, a swerving and narrow, covered dalon (passageway) climbs to the citadel's main terrace. Twelve ob khanas (prison cell niches) flank this flag stone paved passageway. The upper compound includes the court mosque, administrative offices, storage chambers, water tanks, treasury, Emir's chancellery, ceremonial reception hall and private chambers. These functions were organized hierarchically in rooms around arcaded courtyards. The visitor's social status and proximity to the Emir determined the individual circulation routes and access levels. The interiors of the remaining structures reveal fragments of decoration including a variety of painted woodwork, stucco molding and elaborately carved marble bases. Some of the better preserved buildings, like the court mosque, retain traces of painted plaster and of gilt papier-mache. This seventeenth century mosque was built by Subhan Kuli Khan and consists of a single prayer hall enveloped by a colonnade on three sides. The Kurnish Khana (reception hall) built in 1605-06 features exquisitely carved wooden columns surmounting a marble throne and canopy. The harem, whose walls were once embellished with gilt molding and small polychrome floral motifs has been vandalized in the early twentieth century Bolshevik struggle for the Bukhara Emirate. Large parts of the Ark are empty today with ruins or mounds waiting excavation. Preservation efforts have concentrated on the more visible or public portions instead of formulating a comprehensive conservation strategy. The citadel's mud filled plinth is facing erosion on the northern and western sides where the fortification walls have crumbled.

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