New York Black History

New York Black History Author and Historian Rita Fuller-Yates takes us on a journey to discover New York's Black History!

FYI
03/12/2026

FYI

01/23/2026

SLAVERY EXHIBITS AT PRESIDENT'S HOUSE IN PHILADELPHIA REMOVED
AFTER TRUMP ADMINISTRATION
DIRECTIVE

The 369th Infantry Regiment, the legendary “Harlem Hellfighters” of World War I fame, was the first all-Black combat uni...
12/23/2025

The 369th Infantry Regiment, the legendary “Harlem Hellfighters” of World War I fame, was the first all-Black combat unit assigned to a technical role in the U.S. military. In January 1941, the revitalized 369th was federalized at Fort Ontario in Oswego. Eight months of training on the latest airplane detection equipment and anti-aircraft weapons began there. Its successful conversion to Anti-Aircraft Artillery service was a first step towards desegregation of the armed forces in 1948.

Although the 369th enjoyed good relations with the city’s nearly all-white citizens, a Black soldier was falsely accused of a crime by a white woman and “railroaded to prison in true cracker style.” This prejudicial action resulted in a silent boycott of merchants by the regiment and was reported in Black newspapers nationwide. Mostly forgotten today, it foreshadowed later civilian actions such as the Montgomery Bus Boycott.



By Paul Lear, Historic Site Manager at Fort Ontario

The first African American newspaper in the United States, Freedom's Journal, started in New York City as a weekly aboli...
11/15/2025

The first African American newspaper in the United States, Freedom's Journal, started in New York City as a weekly abolitionist publication in 1827. Since then, thousands of African American newspapers have come and gone since the debut of that first one. These newspapers are the cornerstone of the Black Press and chronicle the social and cultural history of African Americans.

The man who invented dry cleaning in 1821 used his patent money to buy enslaved people's freedom—and his daughter would ...
11/10/2025

The man who invented dry cleaning in 1821 used his patent money to buy enslaved people's freedom—and his daughter would sue a streetcar company 100 years before Rosa Parks.
On March 3, 1821, Thomas L. Jennings became the first African American to receive a U.S. patent—an achievement that was remarkable not just for what he invented, but for the fact that he could patent it at all.
Born free in 1791 in New York City, Jennings worked as a tailor, a profession that required precision, skill, and an understanding of fabrics that most people never developed. Day after day, he worked with expensive, delicate materials—silks, wools, fine fabrics that wealthy clients demanded look perfect.
But there was a problem: these delicate fabrics were nearly impossible to clean effectively. Water and soap could damage or shrink them. Stains often became permanent. And once an expensive garment was ruined, it was ruined.
Jennings saw an opportunity.
He developed a process he called "dry scouring"—a method of cleaning clothes without water, using chemical solvents instead. It was the precursor to what we now call dry cleaning, and it revolutionized garment care.
On March 3, 1821, the U.S. Patent Office granted him Patent No. X3306 for his process. He was thirty years old.
This made Thomas L. Jennings the first African American ever to hold a U.S. patent.
To understand how extraordinary this was, you need to know what was happening in America in 1821.
Slavery was legal throughout the South and in some Northern states. The vast majority of Black Americans were enslaved—considered property, not people. And enslaved people could not hold patents. Any invention created by an enslaved person legally belonged to their enslaver. The Patent Office would not grant patents to enslaved individuals.
This meant that countless inventions by enslaved people—agricultural innovations, mechanical improvements, medical discoveries—were credited to white enslavers or simply lost to history. We'll never know how many Black inventors' contributions were stolen or erased because of this system.
Jennings was able to patent his invention because he was free—born free in New York, where slavery was being gradually abolished. His freedom gave him legal standing that millions of his fellow Black Americans didn't have.
But Jennings understood something profound: his success meant nothing if he was the only one free.
The dry scouring process was successful. Jennings made good money from his patent and his tailoring business. He could have simply enjoyed his prosperity, secured his family's comfort, and stayed safe.
Instead, he used his patent earnings to fund the fight for freedom.
Jennings became deeply involved in the abolitionist movement in New York.

Jupiter Hammon was born on October 17, 1711. He was a Black poet who became the first African-American published writer ...
08/11/2025

Jupiter Hammon was born on October 17, 1711. He was a Black poet who became the first African-American published writer in America when a poem appeared in print in 1760. He was a slave his entire life, and the date of his death is unknown. He was living in 1790 at the age of 79, and died by 1806.
Hammon’s poem published in 1761 in New York was the first by an African American man in North America. He subsequently published both poetry and prose. In addition, he was a preacher and a commercial clerk on Long Island, New York.

Born into slavery at the Lloyd Manor on Long Island, Hammon learned to read and write. In 1761, at nearly 50, Hammon published his first poem, "An Evening Thought: Salvation by Christ with Penitential Cries". He was the first African-American poet published in North America. Also a well-known and well-respected preacher and clerk-bookkeeper, he gained wide circulation for his poems about slavery. As a devoted Christian evangelist, Hammon used his biblical foundation to criticize the institution of slavery.

“An Evening Thought: Salvation by Christ, with Penitential Cries" was Jupiter Hammon's first published poem. Composed on December 25, 1760, it appeared as a broadside in 1761. The printing and publishing of this poem established Jupiter Hammon as the first published Black poet.
Eighteen years passed before his second work appeared in print, "An Address to Miss Phillis Wheatley". Hammon wrote the poem during the Revolutionary War, while Henry Lloyd had temporarily moved his household and enslaved people from Long Island to Hartford, Connecticut, to evade British forces. Phillis Wheatley, then enslaved in Massachusetts, published her first book of poetry in 1773 in London. She is recognized as the first published black female author. Hammon never met Wheatley but was a great admirer. His dedication poem to her contained twenty-one rhyming quatrains, each accompanied by a related Bible verse. Hammon believed his poem would encourage Wheatley along her Christian journey.
In 1778, Hammon published "The Kind Master and Dutiful Servant", a poetic dialogue, followed by "A Poem for Children with Thoughts on Death" in 1782. These works set the tone for Hammon's "An Address to Negros in the State of New York". At the inaugural meeting of the African Society in New York City on September 24, 1786, Hammon delivered what became known as the Hammon "Address to Negroes of the State of New-York". He was seventy-six years old and still enslaved. In his address he told the crowd, "If we should ever get to Heaven, we shall find nobody to reproach us for being black, or for being slaves." He also said that while he had no wish to be free, he did wish others, especially "the young negroes, were free".
Hammon's speech draws heavily on Christian motifs and theology, encouraging Black people to maintain their high moral standards because "being slaves on Earth had already secured their place in heaven." Scholars believe Hammon supported gradual abolition as a way to end slavery, believing that the immediate emancipation of all enslaved people would be challenging to achieve. New York Quakers who supported the abolition of slavery published Hammon's speech, and it was reprinted by several abolitionist groups, including the Pennsylvania Society for Promoting the Abolition of Slavery.
Hammon's entire body of work consists of eight publications: four poems and four prose pieces, all with religious content. “An Address to Negroes in the State of New York" was Hammon's last literary work and likely his most influential. It is believed that Jupiter Hammon died within or before the year 1806. Though his death was not recorded, Hammon was believed to be buried separately from the Lloyds on the Lloyd family property in an unmarked grave.

08/08/2025

A celebration was held in New Jersey this week for the unveiling of the black heritage trail historic marker at Hinchliffe Stadium. The stadium is one of 32 stops in the state honoring black history, heritage, and culture. It's where Hall-of-Famer Larry Doby played baseball for the Newark Eagles in the negro leagues. He broke the American League color barrier playing for the Cleveland Indians in 1947. And Doby was one of the first black players to win a World Series championship in 1948. Hinchliffe Stadium is one of the few negro league ballparks still standing. It underwent a $100 million renovation and reopened in 2023. Other stops on the black heritage trail in New Jersey are the Count Basie Center for the Arts in Red Bank and the Harriet Tubman Museum in Cape May.

Records of the 1790 national census found on the John Jay College of Criminal Justices’ New York Slavery Records Index r...
08/02/2025

Records of the 1790 national census found on the John Jay College of Criminal Justices’ New York Slavery Records Index report that there were 3,827 people on Staten Island, as well as 755 enslaved persons.

In 1800, there were 4,563 people here, and 675 who were enslaved.

In 1810, there were 437 enslaved people here and 5,347 people overall. Ten years later, in 1820, Staten Island had 6,135 people and 532 slaves.

Staten Islanders looking at the slavery index will see a number of familiar and prominent names among borough slave-owning families, including Mersereau, Van Duzer, Poillion, Seguine, Corson and many others.

They were some of the founding families of Staten Island, and borough streets still bear many of these same names, including in communities of color.

Long before industrialization, Prince’s Bay was renowned for its abundant oyster beds. In the early 1800s, free Black oy...
08/02/2025

Long before industrialization, Prince’s Bay was renowned for its abundant oyster beds. In the early 1800s, free Black oystermen from Maryland brought their expertise north and established prosperous businesses on Staten Island. Their enterprises thrived until 1916, when pollution and new restrictions on raw oyster sales crushed the industry—effectively erasing the longstanding leadership of Black oystermen in New York’s maritime economy.



https://www.billionoysterproject.org/blog/black-history-is-oyster-history-on-staten-island

When most of us open our textbooks, we learn a version of American history filtered through white narratives. This is pa...
08/02/2025

When most of us open our textbooks, we learn a version of American history filtered through white narratives. This is particularly true for New York City’s early history. White narratives and colonization are inseparable from our early written accounts, shaping the stories we’ve shared and the ones we’ve left out centuries later–like how expansive and abundant oyster reefs once characterized New York City’s shorelines and dining room tables, or how that extant industry helped build a haven for free Black landowners and a crucial stop on the Underground Railroad.

Where you’ll find the legacy of New York City’s booming oyster industry and the Black oystermen who built it, is in the stories of residents and landmark structures of Sandy Ground on Staten Island–the nation’s oldest continuously settled free black community–five generations later.
Located in Rossville, Staten Island, Sandy Ground is one of the oldest surviving communities in the United States founded by free African Americans before the Civil War. Its legacy traces back to New York’s first black landowners, Captain Jackson and Mr. Holmes, and their early purchases of farmland on Staten Island. Soon, more free black landowners—among them Moses and Silas Harris—began to settle on other parts of the island, leading to the birth of Harrisville (a.k.a Africa, Little Africa, or as we know it today, Sandy Ground), near Prince’s Bay.

The growing community of Harrisville and its proximity to the abundant oyster reefs off Prince’s Bay, became attractive to Black oystermen working in the Chesapeake and trading in New York Harbor. Forming relationships with the current residents of Sandy Ground, these skilled oystermen from Maryland quickly became the oystermen of New York Harbor, settling in the community around 1850 and bolstering its future of prosperity and strength of protection for African Americans escaping enslavement on the Underground Railroad. Sandy Ground today is recognized as an Official Louis Napoleon Site on the National Underground Railroad Network to Freedom Trail.

“I have stories from my great grandfather and older people we interviewed back in the 80s, talking about the oystermen; who they were, where they worked, what time they would get up in the morning, how they'd walk down to the boats. Even when the waters were polluted, we learned how the community was notified and what they felt about it. They thought it was political! To hear that from someone who lived that as a little boy is amazing.” says Julie Moody Lewis. “[This work] is rewarding when you hear people are interested. They need to know about the environmental history of the city and the independent businessmen who knew the land and soil; skilled, smart individuals creating generational wealth for their community.

At its peak, Sandy Ground was home to 150 Black families and is still home to their descendants, like Julie (five generations later). Against the pressures of New York City’s rapid and constant change, Sandy Ground’s longevity is a testament to the communities foundational strength. Sandy Ground is currently an authentic historic site, listed on the National Register of Historic Places and the New York State Register of Historic Places.



https://www.billionoysterproject.org/blog/black-history-is-oyster-history-on-staten-island

07/26/2025

In 1917, Janet Collins, a Black ballet dancer and painter, was born.She moved with her family from New Orleans, Louisiana, to Los Angeles as a young girl, attending Los Angeles City College and the Los Angeles Art Center School. As an accomplished painter, she was able to finance her relocation to New York to pursue a dance career. In 1941, she performed with the new but world-renowned Black dance troupe formed and directed by Katherine Dunham. At the age of fifteen, Collins successfully auditioned for the Ballet Russe de Monte Carlo at the Philharmonic, but after being told she would have to paint her face white to perform, she declined the offer. She told her aunt what happened and was advised, "You get back to the barre and start your City exercises. Don’t try to be good, be excellent." In 1949, Collins made her New York debut in a solo concert. As a Prima Ballerina in 1951, she became the first Black artist to perform on the stage of the Metropolitan Opera House in New York. Starring in the 1951 production of Cole Porter’s Out of This World, Collins won the Donaldson Award, signifying the best dancer on Broadway.She remained with the Met until 1954, dancing in Carmen, Aida, La Gioconda, and Samson and Delilah, after which she toured the United States and Canada in solo dance concerts. Having taught at several colleges and dance institutions in New York and California, she retired and resided in Seattle. Janet Collins died in June 2003 in Forth Worth, Texas.

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