Martian Publishing

Martian Publishing Martian Nella Publishing

05/18/2026

“That frustration also explains why political desperation is becoming more visible in sections of the population. People do not always support alternatives because they fully trust those alternatives. Sometimes they support them because they feel emotionally cornered and simply want relief from what they perceive as a system no longer responding to ordinary people.
That is an important distinction many political leaders fail to understand. Exhaustion changes political behaviour. A population that feels unheard for too long eventually becomes willing to take risks it once avoided simply to interrupt what feels like stagnation or imbalance”
Read the full story in this Sunday’s Watz Hott Magazine feature:
“The Plantation Learned New Names” By Martian Nella

https://watzhottradio.com/magazine/theplantationlearnednewnames

Ian Johnson Prince Kariga Harold Bascom Francis Michael Bailey

05/18/2026

“I am proud of the history, the resilience, the culture, the beauty, and the spirit of Guyana. But pride does not require blindness. Loving a country does not mean pretending its people are not hurting. In fact, sometimes the most patriotic thing a person can do is refuse to let the suffering of ordinary citizens be covered over with slogans, events, and influencer videos. What angers me is not Guyana itself. Guyana is beautiful. Guyana is powerful. Guyana is rich in culture, memory, land, food, music, and people. What angers me is watching the country being marketed as a playground for those who can afford it while ordinary citizens are mocked for wanting basic enjoyment. What angers me is watching people defend hardship as if they are being paid to protect the image of prosperity. What angers me is hearing someone suggest that poor people should not want fruit, as though poverty is supposed to erase appetite, pleasure, dignity, and humanity.”

Read the full story in today’s Watz Hott
Magazine feature:

"Are Poor People Not Allowed to Eat Fruit?"
By Martian Nella

https://watzhottradio.com/magazine/arepoorpeoplenotallowedtoeatfruit

Ian Johnson Prince KarigaHarold Bascom Francis Michael Bailey

DID YOU KNOW?While many Guyanese artists are fighting to get consistent airplay on radio, television, events, and entert...
05/12/2026

DID YOU KNOW?

While many Guyanese artists are fighting to get consistent airplay on radio, television, events, and entertainment platforms in Guyana, the part many people don’t talk about is that artists are often not receiving long-term financial benefits from that airplay.

When Guyanese music, or any artist’s music, is played, the artist may not actually be benefiting from copyright royalties because royalty collection, reporting systems, and enforcement are still not fully developed or properly structured.

The positive side to airplay in Guyana is that it helps:
• the public become familiar with the music
• crowds learn the songs
• DJs keep the songs active
• promoters see audience reactions
• artists become more bookable for events and shows
• artists build cultural relevance and visibility

So in many ways, radio exposure in Guyana often works more as MARKETING than guaranteed royalty income but mainly international artists benefit from this.

But this is where Guyanese artists face a double disadvantage:

1️⃣ Foreign music from larger industries often dominates local airwaves, entertainment spaces, and events.

2️⃣ Without consistent local airplay, Guyanese artists struggle to build the public familiarity and audience reaction needed for long-term bookings, larger audiences, and sustainable career growth.

So even if Jamaicans, Trinidadians, Americans, etc are not receiving copyright royalties in Guyana, their music is marketed more on airways to push them and prepare them for bookings in Guyana.

And while occasional concerts and one-and-two government events may create temporary opportunities for a few artists, many creatives argue that this is not the same as building a long-term music infrastructure that consistently develops and supports local talent year-round.

As Guyana grows economically and positions itself as a developing oil-rich nation, many believe the conversation should now move beyond one-time performances and focus more on:
• stronger support for local content
• fairer media exposure
• music industry development
• copyright education
• royalty systems
• publishing infrastructure
• sustainable opportunities for Guyanese creatives

Because a country’s culture should grow alongside its economy.

Happy Independence 🇬🇾

A little reminder for  Music isn’t just melody and vibes.It’s structure. It’s ownership. It’s legacy.Every song has writ...
03/18/2026

A little reminder for

Music isn’t just melody and vibes.
It’s structure. It’s ownership. It’s legacy.
Every song has writers.
Every writer has rights.
Learn the business behind the sound…
because talent alone doesn’t protect you.


Martian Nella Entertainment

If a song of yours ends up online and you never approved it, you’re not stuck with it being there.To put music on stream...
02/17/2026

If a song of yours ends up online and you never approved it, you’re not stuck with it being there.
To put music on streaming platforms, whoever uploaded it had to confirm they had permission to release it. So if you never gave that permission, they basically released it under a false claim of authorization.
First thing to do is check YouTube. Open the video description and look at the credits section. Most official uploads show the distributor or label. That tells you exactly who delivered the track to Spotify, Apple Music and the rest.
Next, contact that distributor directly. Tell them you own the copyright, you never approved the release, and you want it taken down. If you didn’t sign anything giving them rights, they normally have to remove it.
Keep your receipts. Save emails, screenshots and dates showing you asked for removal. If the situation drags out, that record matters.
If they ignore you or refuse, then go straight to the platforms and file takedown notices yourself.
Start with the distributor first though. They can pull it from everywhere much faster than chasing each streaming service one by one.
Links in comments to assist.

I’m a writer at my core, and when it comes to my own writing I prefer the traditional process. Craft matters to me and t...
02/17/2026

I’m a writer at my core, and when it comes to my own writing I prefer the traditional process. Craft matters to me and that is how I choose to create. I love my own human touch.
So personally I am against ai when it come to writing.
That said, I don’t believe creativity should be policed nor do I chastise those who choose to use ai to assist them. Some people use artificial intelligence in their work, others don’t. Both choices exist in the same space.
AI is already part of everyday life. People use it to draft posts, structure letters, design cover art, edit videos, build resumes and handle business tasks. The line only becomes controversial when it is labeled “art,” yet the function is no different. It remains a tool assisting a person’s output.
Every era introduces tools that challenge ideas of authenticity. Drum machines, autotune, digital production and sampling were all criticized at first. They did not remove creativity. They changed access and workflow.
Major producers across genres have begun experimenting with AI artists, and producers in dancehall have done the same. Whether someone embraces it or avoids it is a personal approach to creation, not a universal rule.
AI does not replace imagination. It reflects the intention of the person using it.
Even at a national level, Guyana is investing in AI infrastructure, including plans for an AI data center. That alone signals the direction technology is moving, whether individuals choose to adopt it or not.
The conversation is less about the tool and more about how people choose to apply it.
What are your thoughts on the use of ai for music?

Every music project needs its own identity number.Not the artist name.Not the artwork.Not the distributor.The recording ...
02/06/2026

Every music project needs its own identity number.
Not the artist name.
Not the artwork.
Not the distributor.
The recording itself.

That identity number is what allows your music to be:
• properly tracked across platforms
• correctly credited to you
• eligible for accurate payments
• recognized as a professional release

Without it, your music can still be online, but it moves through the system anonymously. Plays happen, but ownership and data do not always follow cleanly.

If you’re serious about releasing music, especially as an independent artist, this step is not optional. It’s part of treating your work like intellectual property, not just content.
Martian Publishing provides project coding and identity assignment as part of our release services, so artists can focus on the music while the backend is handled correctly from day one.
Because your work deserves to be found, credited, and protected.

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