Savannah Black History

Savannah Black History Savannah Has a Rich African American History dating back over 250 Years, and I'm here to tell it! - Rita Fuller-Yates (Renowned Author and Historian)
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08/22/2025

08/22/2025

Discover the Barnwell Tabby Structure, the oldest surviving building on Hilton Head Island dating back to the 1700s. With the guidance of Thomas Barnwell Jr. and the research of Carolina Community Archaeology, this historic site shares untold stories of the Lowcountry and African American heritage. Learn why the Barnwell Tabby is a cornerstone of South Carolina history and how its preservation ensures future generations stay connected to the past.

Website: https://barnwelltabby.com

Watch via History Before Us YouTube

America cannot afford to whitewash its past. Yet that is exactly what is at stake in the current review of the National ...
08/21/2025

America cannot afford to whitewash its past. Yet that is exactly what is at stake in the current review of the National Museum of African American History and Culture. To question whether slavery and racism belong in the story of this nation is not only dangerous—it is racist and, quite frankly, ridiculous.

The Smithsonian Institution’s internal review of its museums and exhibitions, prompted by a March executive order, has been described by the White House as a “constructive and collaborative effort” rooted in respect for the Institution’s mission. But let’s be honest about what this really is: an attempt to sanitize history. When politicians decide which stories can be told, truth becomes the first casualty.

The National Museum of African American History and Culture has, since its opening in 2016, drawn millions of visitors from across the United States and around the world. It is the only national museum dedicated solely to preserving and telling the African American story, which means it preserves the American story itself. Its exhibits are not decorative displays; they are America’s receipts—proof of what was bought, built and broken on the backs of enslaved people.

Just as the Holocaust is remembered in all its brutality, so must America reckon with the truth of chattel slavery, Jim Crow and racial terror. Anything less is historical erasure, a rewriting of facts to make the nation appear more palatable. But history is not meant to comfort—it is meant to confront. And only in confrontation do we find the lessons that lead us forward.

The National Museum of African American History and Culture (NMAHC) does not exist to make visitors comfortable. It exists to tell the full story of this nation—its horrors and its triumphs. The shackles, the slave cabins, the lynching photographs are hard to look at, yes, but they are necessary. They remind us of what was endured, resisted and overcome. Are we really prepared to tell our children a fairy tale instead of the truth?

To erase the “ugly parts” is to erase the context that makes our resilience so extraordinary.

We dishonor our ancestors when we pretend that slavery was anything less than a foundational atrocity. We insult the present when we allow political whims to dictate which truths are deemed “acceptable.” And we jeopardize the future when we deprive generations to come of the lessons that only honest history can teach.

This is why NMAHC matters. Located on the National Mall in Washington, D.C., it is not just a building—it is a mirror held up to America. Every exhibit, every artifact, every story says: this happened and it shaped who we are.

The truth of America’s story is not negotiable. It is not subject to political whim. It must be told fully, courageously and without compromise—because history told truthfully is the only kind that heals.



- Afro News

08/20/2025

Residence hall renamed for student who died in 1972.

The Dixville Historic District is significant in African American cultural heritage as the only known and intact, urban ...
08/19/2025

The Dixville Historic District is significant in African American cultural heritage as the only known and intact, urban Black community in Brunswick developed by formerly enslaved peoples. Dixville contains numerous resources that document residential patterns, and to a lesser extent, commercial and industrial development of Brunswick’s Black, working-class community from the late 19th century through the 1960s. Additionally, in the area of community planning and development, the district reflects land use patterns frequently associated with Georgia’s cities whereby Black and working-class settlements were relegated to under-utilized and low-cost land along the periphery of downtown.

The district is also significant in the area of architecture for its collection of residential housing varieties that include shotguns, central hallway, gabled wing cottages/houses, Georgian cottages/houses, hall-parlor, and side-gabled cottages, as well as bungalows and ranch houses, popular in the late 19th to mid-20th century Georgia.

Text Source: https://www.brunswickga.org/bc-caahpc/page/african-american-history-brunswick

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