22/07/2026
THE STONE CARVERS AND ROCKSTARS OF CHABWINO FARM
Sculptures: “Family Unity” and “Spirit of Togetherness”
Medium: Springstone and Marble
Artist: Chemedu Jemali
Location: Chitungwiza Arts Centre
Status: On Sale
At Chabwino Farm, along Shamva Road, there grew up Jemali brothers, Somanje brothers, and Nyawani brothers, all descended from Yao parents of Malawian origin in the 1970s. They gave the usual answers when asked what they wanted to do in life: pilot, doctor, clerk and so on.
When they met as adults at Makoni Nightclub in 1994, Chituwa and Chemedu Jemali had become stone sculptors of note in Chitungwiza. Chemedu would go on to be well-travelled and widely exhibited in Germany, Netherlands, Canada, the U.S and so on, while his brother is one of the best-known artists. That night, the stone carvers were turning up for a music concert performed by Daiton, Josphat and Clever Somanje, joined by the Laisan and Marefura Ngolowela and other farmhand rockstars, to make up the great Pengaudzoke band, number one in the country in 1992, 1997, and 2001.
Although many people remember Pengaudzoke as a Marondera-based band, The Boys started their professional career in Chitungwiza in 1989, with Josphat embezzling their father’s farm pension to rent a room for seven bachelor rookies in Unit J. That meeting was followed by more free tickets and a backstage pass for the Jemali brothers.
The Jemali partriach had come from an Igbo community in Nigeria, settling in Kenya and then Malawi, while the father of the sculptors sojourned in Tanzania, before finally settling in Zimbabwe. The immigrant lifestyle, and the loneliness that comes with it, is a persistent theme in many a Yao and Chewa song, from The Kachamba Brothers and Elisha Josamu, to Pengaudzoke and Alick Macheso. But so is the cultural pride and Pan-African inheritances.
All of this is ably embodied in Chemedu’s work. The big man is at home carving Gule waMkulu masks, whose strongest literary statement will be found in Achebe novels, but also themes of unity and diversity. Today’s featured sculptures show multi-racial couples and their children. The marble top turns on a piece to give the combined piece alternate fronts, one side showing the darker side, and the other side showing the lighter side of a mixed-race family.
Chemedu Jemali is one of the living proteges of classical Shona Art and, perhaps, a good reason to question that name. The movement that came to be known to the world as Shona Art had more than able practitioners from Malawi, Zambia and Mozambique, some of them immigrant farm workers before they took up hammer and rasper.