27/05/2026
This 15th-century Persian miniature beautifully captures the profound narrative of Ibrahim’s sacrifice. Created between 1410 and 1411 in Shiraz, this delicate illustration originates from the Anthology of Sultan Iskandar and stands as a hallmark of the masterful Timurid artistic tradition.
The composition depicts the poignant moment of divine intervention: as Ibrahim prepares to fulfill the command to sacrifice his son, an angel—acting as a messenger—arrives to halt the act. Instead, the scene highlights the provision of a ram, symbolizing a test of faith and absolute obedience. This event serves as the spiritual foundation for Eid al-Adha, the significant Islamic Feast of Sacrifice that honors Ibrahim’s unwavering devotion to God.
Beyond its religious importance, the piece is a brilliant example of manuscript illumination, employing rich watercolor and gold leaf to bring the narrative to life. Its intricate style exemplifies the technical and aesthetic pinnacle of the era's book production. Currently held in the collection of the Calouste Gulbenkian Museum in Lisbon, this work remains a testament to the enduring cultural and historical heritage of the Timurid period, offering viewers a glimpse into both the artistic sophistication and the deep spiritual values of the 15th century.