Definition of Textiles

Definition of Textiles Enlargening, what experiences in TEXTILE

23/03/2018

The main lacking point of textile engineering is that manufacturing knowledge does not intersect with Engineering knowledge!😊

http://textilebangla24.com/2016/10/āĻĢā§āϰ⧇āĻļāĻžāϰāϏ-āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ-āχāĻžā§āϜāĻŋ/
05/03/2018

http://textilebangla24.com/2016/10/āĻĢā§āϰ⧇āĻļāĻžāϰāϏ-āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ-āχāĻžā§āϜāĻŋ/

āĻ…āύ⧁āĻĒā§āϰ⧇āϰāύāĻžāϰ āĻŦāĻžāĻŖā§€āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻĒ⧜āĻžāĻļā§‹āύāĻžāĻĢā§āϰ⧇āĻļāĻžāϰāϏ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āχāĻžā§āϜāĻŋāύāĻŋ⧟āĻžāϰāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻŋāϛ⧁ āĻšāĻŋāϤ⧋āĻĒāĻĻ⧇āĻļāĨ¤ By āĻŽā§āĻšāĻžāχāĻŽāĻŋāύ⧁āϞ āχāϏāϞāĻžāĻŽ āĻ…āĻ­.....

15/01/2018

Definition of garment: What is garment? It is a common question for many people. Actually a garment is a piece of clothing which is manufac...

18/12/2017

āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āχāĻžā§āϜāĻŋāύāĻŋāϝāĻŧāĻžāϰāĻŋāĻ‚ āĻĄāĻŋāĻ—ā§āϰāĻŋ āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻ•āϰ⧇ āĻ•āĻŋ āĻ•āĻŋ āϏāϰāĻ•āĻžāϰāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇ āϚāĻžāĻ•āϰāĻŋ āĻ•āϰāĻžāϰ āϏ⧁āϝ⧋āĻ— āφāϛ⧇āĨ¤āĻ āĻŦāĻŋāώāϝāĻŧ⧇ āĻāĻ•āϟāĻŋ āϞāĻŋāĻ¸ā§āϟ ...
ā§§. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ ( āϝāĻžāϰāĻž āĻāĻ•āĻĻāĻŽ āĻĒā§āϰāĻĨāĻŽ āĻļā§āϰ⧇āύ⧀āϰ āĻ¸ā§āϟ⧁āĻĄā§‡āĻ¨ā§āϟ, āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ)
⧍. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒāĻžāϟ āĻ—āĻŦ⧇āώāĻŖāĻž āχāĻ¨ā§āϏāĻŋāϟāĻŋāωāϟ
ā§Š. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄāĻžāĻ°ā§āĻĄāϏ āĻāĻ¨ā§āĻĄ āĻŸā§‡āĻ¸ā§āϟāĻŋāĻ‚ āχāĻ¨ā§āϏāϟāĻŋāϟāĻŋāωāĻļāύ
ā§Ē. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒāĻžāϟāĻ•āϞ āĻ•āϰāĻĒā§‹āϰ⧇āĻļāύ
ā§Ģ. āĻŦāĻ¸ā§āĻ¤ā§āϰ āĻĒāϰāĻŋāĻĻāĻĒā§āϤāϰ
ā§Ŧ. āĻĒāĻžāϟ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ
ā§­. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϤāĻžāρāϤ āĻŦā§‹āĻ°ā§āĻĄ
ā§Ž. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻŽāĻŋāϞāϏ āĻ•āϰāĻĒā§‹āϰ⧇āĻļāύ
⧝. āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŦā§āϝāĻžāĻ‚āĻ• (āĻ…ā§āϝāĻžāϏāĻŋāĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āϟ āχāĻžā§āϜāĻŋāύāĻŋāϝāĻŧāĻžāϰ, āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ)
ā§§ā§Ļ. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āύ⧌āĻŦāĻžāĻšāĻŋāύ⧀
ā§§ā§§. āϜ⧁āϟ āĻĄāĻžāχāĻ­āĻžāϰāϏāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻāĻ¨ā§āĻĄ āĻĒā§āϰāĻŽā§‹āĻļāύ āϏ⧇āĻ¨ā§āϟāĻžāϰ
⧧⧍. āϤ⧁āϞāĻž āωāĻ¨ā§āύāϝāĻŧāύ āĻŦā§‹āĻ°ā§āĻĄ
ā§§ā§Š. āĻ•āϞ-āĻ•āĻžāϰāĻ–āĻžāύāĻž āĻ“ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ
ā§§ā§Ē. āĻ…āĻ­ā§āϝāĻ¨ā§āϤāϰ⧀āĻŖ āϏāĻŽā§āĻĒāĻĻ āĻŦāĻŋāĻ­āĻžāĻ—, āĻ…āĻ°ā§āĻĨ āĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖāĻžāϞāϝāĻŧ
ā§§ā§Ģ. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϰ⧇āĻļāĻŽ āωāĻ¨ā§āύāϝāĻŧāύ āĻŦā§‹āĻ°ā§āĻĄ
ā§§ā§Ŧ. āϏāϰāĻ•āĻžāϰāĻŋ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻ•āϞ⧇āϜ
etc...
collected.

17/12/2017

āĻĢā§‹āϰ āĻĒā§Ÿā§‡āĻ¨ā§āϟ āχāĻ¨ā§āϏāĻĒ⧇āĻ•āĻļāύāσ
āĻ āĻĒāĻĻā§āϧāϤāĻŋāϤ⧇ āĻāĻ•āĻļ āĻŦāĻ°ā§āĻ— āĻ—āϜ āĻ•āĻžāĻĒā§œā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āĻ•āϤ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ āφāϛ⧇ āϟāĻž āχāĻ¨ā§āϏāĻĒ⧇āĻ•āĻļāύ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻŦ⧇āϰ āĻ•āϰāĻž āĻšā§Ÿ āĨ¤ āĻĒā§āϰāϤāĻŋ ā§§ā§Ļā§Ļ āĻŦāĻ°ā§āĻ—āĻ—āϜ āĻ•āĻžāĻĒā§œā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āϝāĻĻāĻŋ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ ā§Ēā§Ļ āĻŦāĻž āϤāĻžāϰ āĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋ āĻšā§Ÿ āϤāĻŦ⧇ āωāĻ•ā§āϤ āĻ•āĻžāĻĒ⧜ āĻŦāĻžāϤāĻŋāϞ āĻŦāϞ⧇ āĻ—āĻ¨ā§āϝ āĻ•āϰāĻž āĻšā§Ÿ āĨ¤ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻŽā§āĻ˛ā§āϝ āĻ“ āĻŽāĻžāύ⧇āϰ āωāĻĒ⧜ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰ⧇ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āĻŸā§‡āϰ āĻ—ā§āϰāĻšāĻŖāϝ⧋āĻ—ā§āϝāϤāĻž āĻŽāĻžāĻ¤ā§āϰāĻž ā§Ēā§Ļ āĻŦāĻž āϤāĻžāϰ āĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋāĻ“ āύāĻŋāĻ°ā§āϧāĻžāϰāύ āĻ•āϰāĻž āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇ āϤāĻŦ⧇ āϏ⧇āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻ•āĻžāĻĒ⧜ āĻ•ā§āϰ⧇āϤāĻž āĻ“ āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŽāĻā§‹āϤāĻžāϰ āωāĻĒ⧜ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰ⧇ āĨ¤ āĻ•āĻžāĻĒā§œā§‡āϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨ āĻ¤ā§āϰ⧁āϟāĻŋāϰ āϜāĻ¨ā§āϝ āĻĒā§Ÿā§‡āĻ¨ā§āϟ āύāĻŋāĻ°ā§āϧāĻžāϰāύ⧇āϰ āĻ›āĻ• āύāĻŋāĻšā§‡ āĻĻā§‡ā§ŸāĻž āĻšāϞāĨ¤

āĻ“ā§ŸāĻžāĻ°ā§āĻĒ āĻ“ āĻ“ā§Ÿā§‡āĻĢāϟ āωāϭ⧟ āĻĻāĻŋāϕ⧇āϰ āĻ•āĻžāĻĒā§œā§‡āϰ āĻ¤ā§āϰ⧁āϟāĻŋāϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ

=> āĻĒā§Ÿā§‡āĻ¨ā§āϟ āĻŦāĻŖā§āϟāύ
ā§Š āχāĻžā§āϚāĻŋ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ¤ā§āϰ⧁āϟāĻŋ =ā§§
ā§Š āĻĨ⧇āϕ⧇ ā§Ŧ āχāĻžā§āϚāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ =⧍
ā§Ŧ āĻĨ⧇āϕ⧇ ⧝ āχāĻžā§āϚāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ = ā§Š
⧝ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻŦ⧇āĻļāĻŋ =ā§Ē

=>āĻ›āĻŋāĻĻā§āϰ āĻ“ āĻ“āĻĒ⧇āύāĻŋāĻ‚
ā§§ āχāĻžā§āϚāĻŋ āĻ…āĻĨāĻŦāĻž āĻ•āĻŽ ā§§
ā§§ āχāĻžā§āϚāĻŋ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻŦ⧇āĻļāĻŋ ā§Ē

āϤāĻŦ⧇ āĻĒā§āϰāϤāĻŋ āĻ—āϜ āĻ•āĻžāĻĒā§œā§‡āϰ āĻŽāĻĻā§āϧ⧇ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ ā§Ē āĻāϰ āĻŦ⧇āĻļāĻŋ āĻ—āύāĻŖāĻž āĻ•āϰāĻž āϝāĻžāĻŦ⧇ āύāĻž āĨ¤

āϧāϰāĻž āϝāĻžāĻ•,
ā§Ēā§Ž āχāĻžā§āϚāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨ⧇āϰ āĻ“ ⧧⧍ā§Ļ āĻ—āϜ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ⧇āϰ āĻāĻ•āϟāĻŋ āĻ•āĻžāĻĒā§œā§‡āϰ āϰ⧋āϞ āĻ¨ā§Ÿā§‡ āĻĒāϰ⧀āĻ•ā§āώāĻž āĻ•āϰ⧇ āύāĻŋāĻšā§‡āϰ āĻ¤ā§āϰ⧁āϟāĻŋ āϏāĻŽā§āĻš āύāĻŋāĻ°ā§āϧāĻžāϰāύ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤

ā§Ē āϟāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ ā§Š āχāĻžā§āϚāĻŋāϰ āύāĻŋāĻšā§‡
ā§Ē x ā§§ = ā§Ē āĻĒā§Ÿā§‡āĻ¨ā§āϟ

ā§Ŧ āϟāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ ā§Š āχāĻžā§āϚāĻŋ āĻĨ⧇ ā§Ŧ āχāĻžā§āϚāĻŋāϰ āĻŽāĻ§ā§āϝ⧇
ā§Ŧ x ⧍ =⧧⧍ āĻĒā§Ÿā§‡āĻ¨ā§āϟ

⧍ āϟāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ ā§Ŧ āχāĻžā§āϚāĻŋ āĻĨ⧇āϕ⧇ ⧝ āχāĻžā§āϚāĻŋāϰ āĻŽāĻ§ā§āϝ⧇
⧍ x ā§Š = ā§Ŧ āĻĒā§Ÿā§‡āĻ¨ā§āϟ

ā§§ āϟāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ ⧝ āχāĻžā§āϚāĻŋ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻŦ⧇āĻļāĻŋ
ā§§ x ā§Ē = ā§Ē āĻĒā§Ÿā§‡āĻ¨ā§āϟ
āϏāĻ°ā§āĻŦāĻŽā§‹āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ=⧍ā§Ŧ

āĻĒā§Ÿā§‡āĻ¨ā§āϟāϏ/ā§§ā§Ļā§Ļ āĻŦāĻ°ā§āĻ— āĻ—āϜ
=āĻŽā§‹āϟ āĻ¤ā§āϰ⧁āϟāĻŋ āĻĒā§Ÿā§‡āĻ¨ā§āϟ / āĻŽā§‹āϟ āĻ•āĻžāĻĒā§œā§‡āϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ (āĻ—āϜ) x ā§§ā§Ļā§Ļ x ā§Šā§Ŧ āχāĻžā§āϚāĻŋ/āĻĒāϰāĻŋāĻ•ā§āώāĻŋāϤ āĻ•āĻžāĻĒā§œā§‡āϰ āĻĒā§āϰāĻ¸ā§āĻĨ āĻŦāĻž āĻĄāĻžā§ŸāĻž (āχāĻžā§āϚāĻŋ)

=⧍ā§Ŧ/⧧⧍ā§Ļ x ā§§ā§Ļā§Ļ x ā§Šā§Ŧ āχāĻžā§āϚāĻŋ / ā§Ēā§Ž āχāĻžā§āϚāĻŋ
=ā§§ā§Ŧ.⧍ā§Ģ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ / ā§§ā§Ļā§Ļ āĻŦāĻ°ā§āĻ—āĻĢ⧁āϟ

āϏāĻ°ā§āĻŦāĻŽā§‹āϟ āĻĄāĻŋāĻĢ⧇āĻ•ā§āϟ āĻĒā§Ÿā§‡āĻ¨ā§āϟ āĻĒā§āϰāϤāĻŋ ā§§ā§Ļā§Ļ āĻŦāĻ°ā§āĻ—āĻ—āĻœā§‡ ā§Ēā§Ļ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻ•āĻŽ āĻšāĻ“ā§ŸāĻžā§Ÿ āĻ āĻ•āĻžāĻĒā§œā§‡āϰ āϰ⧋āϞāϟāĻŋ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰāĻž āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤āĻāĻ–āĻžāύ⧇ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰāĻž āĻĒā§āĻ°ā§Ÿā§‹āϜāύ āϝ⧇ āĻ•āĻžāĻĒā§œā§‡āϰ āĻ—ā§āϰāĻšāĻŖāϝ⧋āĻ—ā§āϝāϤāĻžāϰ āϏ⧀āĻŽāĻž āĻŦāĻž āϞ⧇āϭ⧇āϞ, āĻ•āĻžāĻĒ⧜ āĻ•ā§āϰ⧇āϤāĻž āĻ“ āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻž āĻ•āĻ°ā§āϤāĻŋāĻ• āύāĻŋāĻ°ā§āϧāĻžāϰāύ āĻ•āϰāĻž āĻšā§Ÿā§‡ āĻĨāĻžāϕ⧇ āĨ¤ āĻ•āĻžāĻĒā§œā§‡āϰ āϰ⧋āϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ•āĻžāĻĒā§œā§‡āϰ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ⧇āϰ āϤāĻžāϰāϤāĻŽā§āϝ āĻ•āϤāϟ⧁āϕ⧁ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ—ā§āϰāĻšāύāϝ⧋āĻ—ā§āϝ āĻšāĻŦ⧇ āĻāĻŦāĻ‚ āĻĒā§āϰāĻ¸ā§āĻĨ⧇āϰ āϤāĻžāϰāϤāĻŽā§āϝ āĻ•āϤāϟ⧁āϕ⧁ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ—ā§āϰāĻšāύāϝ⧋āĻ—ā§āϝ āĻšāĻŦ⧇ āϤāĻžāĻ“ āĻ•ā§āϰ⧇āϤāĻž āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻžāϰ āύāĻŋāĻ°ā§āϧāĻžāϰāĻŋāϤ āϚ⧁āĻ•ā§āϤāĻŋāϰ āωāĻĒ⧜ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰ⧇āĨ¤

āϤāĻŦ⧇ āϝ⧇āϏāĻŦ āĻ•āĻžāĻĒā§œā§‡āϰ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻŽā§āĻ˛ā§āϝ ⧍ā§Ļ āĻĄāϞāĻžāϰ āĻāϰ āĻ…āϧāĻŋāĻ• āϐ āϏāĻŦ āĻ•āĻžāĻĒā§œā§‡āϰ ā§§ā§Ļā§Ļ% āχāĻ¨ā§āϏāĻĒ⧇āĻ•āĻļāύ āĻ•āϰāĻž āĻšā§Ÿ āĻāĻŦāĻ‚ āϝ⧇āϏāĻŦ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻŽā§āĻ˛ā§āϝ ⧍ā§Ļ āĻĄāϞāĻžāϰ⧇āϰ āĻ•āĻŽ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ ā§§ā§Ļ% āχāĻ¨ā§āϏāĻĒ⧇āĻ•āĻļāύ āĻ•āϰāĻž āĻšā§Ÿ āĨ¤
collected.

10/11/2017

Textile Engineers must have the power of attracting people towards them, as they have to communicate many people directly in an industry or a multinational organization for the purpose of taking order from different buyers of different countries. when they try to explore their business public speaking is a must.
The following points are to be considered when you speak publically or even others.

# Focus on one major idea.
# Give people a reason to care.
# Build your idea with familiar concept.
# Make your idea worth sharing.

Finally you have to keep in mind that nothing is superior than dedication . Dedication can define completely how successful you are.?
Always try to keep smiling in your face and enjoy your speaking. ...

Quality Control:i)On Line Test:1.  GSM of the Fabric2.  Exact Diameter and Width3.  Grey Fabric Inspection (4 point)4.  ...
05/11/2017

Quality Control:
i)On Line Test:
1. GSM of the Fabric
2. Exact Diameter and Width
3. Grey Fabric Inspection (4 point)
4. Shade Check
5. Bias and Bowing
6. Visual appearance (Enzyme performance)
7. Stripe
ii) Off Line Test:
All the Off Line tests for finished fabrics can be grouped as follows-
1. Physical Tests, and
2. Chemical Tests.

01/11/2017

Foam dyeing

30/10/2017

Interview Questions and Answers for a fresh textile engineer . pick it up for any FAQ.

1. What is weaving?
Ans. the process of interlacing two sets of yarns namely warp and weft, at right angle to make a fabric, according to design.

2. What is knitting?
Ans. It is the process of producing fabric by transferring continuous yarns into interlocking loops, each row of loop hanging from the one immediately preceding it.

3. How many sets of yarn are used in knitting?
Ans. One set (warp or weft).

4. How many sets of yarn are used in weaving?
Ans. Two sets (warp and weft).

5. Is sizing required in knitted fabric?
Ans. No.

6. Write down the types/ classification of knitting.
Ans. Two types,
ī‚§ Warp knitting &
ī‚§ Weft knitting.
7. Is yarn preparation is needed in knitting?
Ans. No.

8. Is knitting fabric produce by inter looping?
Ans. Yes.

9. Is weaving fabric produce by interlacing?
Ans. Yes.

10. In which knitting, a fabric is produce by single yarn?
Ans. Weft knitting.

11. What is the other name of warp yarn?
Ans. Ends

12. Write down the loom driving system?
Ans.
ī‚§ Hand driving (hand loom) &
ī‚§ Electric motor driving (power loom)
13. Write down/ what are the different types of shed?
Ans.
ī‚§ Bottom close shed
ī‚§ Center close shed
ī‚§ Semi-open shed
ī‚§ Open shed
14. What is shedding?
Ans. Shedding is the act of dividing the warp threads according to design into two parts, to allow the passage of shuttle/weft inserting element from one side of the loom to the other.

15. Write down/what are the types of shedding mechanism?
Ans.
ī‚§ Paddle/treadle shedding (used in hand loom)
ī‚§ Tappet shedding (used in power loom)
ī‚§ Dobby shedding (used in power loom, at past used in hand loom)
ī‚§ Jacquard shedding (both hand & power loom are used now)
ī‚§ Combined shedding
16. Normally tapped shedding mechanism produces square design (e.g. 4x4, 6x6, 7x7, etc.) (Yes /no)
Ans. Yes.

17. We can produce basic weave structures (i.e plain, twills satin) in tapped shedding (yes/no)
Ans. Yes

18. Where open shed is used?
Ans. Tapped loom

19. What is fabric?
Ans: Interlacement of two or more thread of yarn.

20. What are the primary motion?
Ans. The primary motion are as follows-
ī‚§ Shedding
ī‚§ Picking
ī‚§ Beating
21. What are the secondary motion?
Ans. The secondary motion are as follows:
ī‚§ Let off
ī‚§ Take-up
22. What are the tertiary motion
Ans. The tertiary motion are as follows-
ī‚§ Warp stop motion
ī‚§ Weft stop motion
ī‚§ Warp protector
ī‚§ Weft protector
23. Where bottom & center close shed are used?
Ans. Hand jacquard looms to produce delicate fabrics.

24. Where semi-open shed is used?
Ans. Double lift dobby & Jacquard.

25. One shedding + one picking + one beating =?
Ans. One weaving cycle/ loom cycle/picks cycle

26. One picking tapped insert one pick(True or False)?
Ans. True

27. What is the result of unequal shedding?
Ans. Wrong design & stitching

28. What are the maximum numbers of heald frame controlling capacity in tapped sheddingmechanism?
Ans. 14

29. Dobby shedding mechanism can produce both square and rectangular size design (yes/no)
Ans. Yes

30. What types of design can be produced by Jacquard looms?
Ans. Any design

31. What are the maximum numbers of warp threads controlling capacity in Jacquard loom?
Ans. 1800

32. What is sizing?
Ans. Sizing is the process of giving a protective coating on the warp yarn to minimize yarn breakage during weaving.

33. What materials form the base of the size?
Ans. Starch or gum

34. What are the types of loom?
Ans.
ī‚§ Hand loom &
ī‚§ Power loom
35. What are the types of power loom?
Ans.
ī‚§ Modern/shuttle less loom &
ī‚§ Conventional/shuttle loom.
36. What is picking?
Ans. To propel the shuttle or any other weft inserting elements.

37. Write down the faults of picking
Ans.
ī‚§ Early picking
ī‚§ Late picking
ī‚§ Smash or Bang-off
ī‚§ Short picking
ī‚§ Harsh picking
ī‚§ Shuttle flying out
38. Some meaning
Ans.
ī‚§ PPM = picks per minute
ī‚§ PPI = picks per inch
ī‚§ EPI = Ends per inch
ī‚§ RS = Reed space
39 Actual production of a m/c is always less than that calculated production (True/False)
Ans. True

40. What is the object of beat-up mechanism?
Ans. To push the newly inserted weft yarn (last pick) to the fell of the cloth.

41. What is the function of take-up mechanism?
Ans. To wind the already woven fabric on the cloth roller with the progress of weaving.

42. What is pick spacing?
Ans. The space occupied by a pick in fabric

43. What is let-off mechanism?
Ans. To unwind the equivalent length of warp sheet from the warp beams with the progress of take-up during weaving.

44. What are the basic weave structures?
Ans. (i) Plain (ii) Twill and (iii) Satin

45. Write down/Classify the types of sett.
Ans.
ī‚§ Warp sett (No. of warp/inch)
ī‚§ Weft sett (no. of weft/inch)
46. What is weave?
Ans. Interlacement of the ends and picks with each other produces a coherent structure. The repeating pattern of interlacing is called the weave.

47. What is warp & weft crimp?
Ans. The waviness of the yarns due to interlacing of warp and weft in producing fabric is called crimp.

48. What is face loop?
Ans. The loop where heads are below and hanks are above is called face loop.

49. What is back loop?
Ans. The loop where heads are above and hanks are below is called back loop.

50. What is the basic knitted structure?
Ans.
ī‚§ single jersey or plain
ī‚§ 1x1 rib
ī‚§ 1x1 inter lock
ī‚§ 1x1 purl.
51. Write down the weft knitting elements.
Ans.
ī‚§ Needle
ī‚§ Sinker
ī‚§ Cam
52. Write down the types of needle.
Ans.
ī‚§ Latch needle
ī‚§ Bearded needle
ī‚§ Compound needle
53. Write down the types of knit wear.
Ans.
ī‚§ Cut and sew knit wear
ī‚§ Fully fashion knit wear.
54. Write down the basic stitches of knitting structure.
Ans.
ī‚§ Knit stitch
ī‚§ Miss/ float stitch
ī‚§ Tuck stitch
55. How can you identify single jersey fabric?
Ans. In single jersey fabrics, all face loops are present in one side and all back loops are present in other side of the fabric.

56. How can you identify double jersey fabric?
Ans. In double jersey fabrics, face & back loops are present in every side of the fabric.

57. The size of held loop is always bigger than knit loop (yes/no).
Ans. Yes.

58. Write down the warp knitting elements.
Ans.
ī‚§ Needle
ī‚§ Cam
ī‚§ Sinker
ī‚§ Guide.
59. Needle individually works in which knitting?
Ans. Weft knitting m/c.

60. Needles work unitedly in warp knitting (yes/no).
Ans. Yes.

61. What is pitch?
Ans. The distance between one needle and another.

62. Technical face and back is of same in rib structure (yes/no).
Ans. Yes.

63. What is a coarse?
Ans. A coarse is a predominantly horizontal row of needle loops.

64. What is a wale?
Ans. A wale is a predominantly vertical column of intermeshed needle loops.

65. What is the first type of needle?
Ans. Bearded needle.

66. What is the problem of bearded needle?
Ans. Presser bar is used as closing elements.

67. What is the function of sinker that performed?
Ans.
ī‚§ loop formation
ī‚§ holding down
ī‚§ Knocking over.
68. What is cam?
Ans. Cams are the devices which convert the rotary machine drive into a suitable reciprocating action for the needles or other elements.

69. Write down the types of cam.
Ans.
ī‚§ Engineering cam,
ī‚§ Knitting cam.
70. What is needle loop?
Ans. The needle loop is the basic unit of knitted structure.

71. Write down the types of clearing cam.
Ans.
ī‚§ Knit cam,
ī‚§ Tuck cam,
ī‚§ Miss cam
72. What is the basic knitting action of a needle?
Ans.
ī‚§ Rest position,
ī‚§ Opening,
ī‚§ Clearing,
ī‚§ Yarn feeding
ī‚§ Landing,
ī‚§ Knock over.
73. What is held loop?
Ans. A held loop is an old loop that the needle has retained

74. Where the interlock fabrics are used?
Ans. Under garments clothing.

75. Inter lock has the technical face of plain fabric on both side (yes/no).
Ans. Yes.

76. In interlock fabric, reverse or back loop is not seen (yes/no).
Ans. Yes.

77. Technical face & back is of different in single Jersey fabric (yes/no)
Ans. Yes

78. What do you mean by GSM?
Ans. Gram per square meter.

79. What do you mean by oz/sq. yd?
Ans. Ounce per square yard.

80. Where GSM is used?
Ans. The term GSM is popularly used in knitted industry because buying & selling are done on the basis of weight of the fabrics.

81. What is the GSM range for finer fabrics?
Ans. below 150

82. What is the meaning of CVC & PC/TC?
Ans.
ī‚§ CVC = Chief value of cotton (i.e. cotton more than 50%)
ī‚§ PC/TC=Polyester&Cotton / Tetron & Cotton (i.e.polyester more than 50%)
83. What types of loops produce in knitting?
Ans. Interlocking or Interlooping loops.

84. Weft knitting produce in which form?
Ans. Tubular form.

85. In which/loop, shanks are above and heads are below?
Ans. Face loop.

86. What is sinker loop?
Ans. The loop that joins two adjacent needle loop.

87. What is the basic unit of knitted structure?
Ans. Stitch/loop

88. Legs or shanks are below and heads are above in back loop (Yes/No).
Ans. Yes.

89. In where alternate face and back loops produced by two sets needle?
Ans. Rib structure.

90. In interlock fabric, is back loop invisible?
Ans. Yes.

91. Which is the only movable cam in the cam box?
Ans. Stitch cam.

92. What is the principal element of knitting m/c?
Ans. Needle.

93. What fabric produced by adhesive and punching?
Ans. Non-woven fabric.

94. Write the process sequence of woven fabric production?
Ans.
(A) Yarn preparation
ī‚§ Winding
ī‚§ Drawing in and denting
ī‚§ Warping
ī‚§ Leasing
ī‚§ Sizing
ī‚§ Tyeing in / Knotting
(B) Weaving
(C) Inspection
(D) Folding
(E) Transfer to DPF (Dyeing, Printing & Finishing)

95. The weave with long floats of threads produce loose structure and short floats produce firmstructure (True/False).
Ans. True

96. What are the types of fabric?
Ans.
ī‚§ Woven fabric
ī‚§ Knit fabric
ī‚§ Non woven fabric
97. What is non woven fabric?
Ans. Sheets of fibers are held together by adhesives, stitching or needle punching to give a usable fabric.

98. What do you mean warp & weft yarn?
Ans.
ī‚§ Warp yarn = the lengthwise set of yarn
ī‚§ Weft yarn =the widthwise set of yarn.
99. Write down the classification of woven fabric with example.
Ans.
ī‚§ According to raw material e.g. cotton fabric, wool fabric, silk fabric
ī‚§ According to processing e.g. solid dyed, yarn dyed
ī‚§ According to their weaves or construction e.g. plain fabric, twill fabric, satin fabric
ī‚§ According to their structures e.g. single cloth, double cloth, pile fabric
ī‚§ According to end uses e.g. Clothing, floor covering, furnishing
100. In weaving process, which is first, sizing or winding?
Ans. Winding (winding → warping → sizing)

101. Why yarn preparation is required for weaving?
Ans.
ī‚§ To wind the yarn uniformly on suitable package
ī‚§ To have desired length of yarn on the package
ī‚§ To improve weaving efficiency.
102. What are the classifications of winding m/c?
Ans.
ī‚§ Pirn winding m/c
ī‚§ Cop winding m/c
ī‚§ Spool winding m/c
ī‚§ Cheese winding m/c
ī‚§ Cone winding m/c
103. What are the types of warping?
Ans. Two types
ī‚§ Direct or high speed or beam warping
ī‚§ Sectional or pattern or drum warping
104. What types of traversing method?
Ans.
ī‚§ Reciprocating
ī‚§ Rotating
105. Ribboning is a winding fault (yes / no)
Ans. Yes

106. Write down the types of yarn tensioner used in winding.
Ans.
ī‚§ Capstan Tensioner
ī‚§ Additive Tensioner
ī‚§ Combined Tensioner
ī‚§ Gate Tensioner
ī‚§ Lever Tensioner or automatic control tensioner.
107. Write down the types of guide.
Ans.
ī‚§ Type A → A yarn end is required for threading
ī‚§ Type B→ A yarn end is not required for threading
108. What is the main feature of twill weave?
Ans. A twill weave is characterized by diagonal lines of warp & weft floats on the face of the fabric.

109. What are the derivatives of twill?
Ans.
ī‚§ zigzag / pointed / waved twill
ī‚§ combined twill
ī‚§ Herring bone twill
ī‚§ Fancy twill
ī‚§ Broken twill
ī‚§ Continuous twill
110. Write down the classification of drafting?
Ans.
ī‚§ Straight draft
ī‚§ Special draft
ī‚§ Pointed draft
ī‚§ Skip draft
ī‚§ Flat pointed draft
ī‚§ Mixed draft
ī‚§ Broken draft
111. What is color & weave effect?
Ans. Simple weaves such as plain, twill and matt may be used in conjunction with two color warp and weft patterns to produce small geometrical designs in two colors that is called color & weave effect.

112. Where double cloth is used?
Ans. Decorative fabrics, such as sofa cover, furnishing cloth.

113. What is denim fabric?
Ans. A strong warp faces cotton cloth used for overalls, jeans, skirts etc. largely made in 3/1 twill weave.

114. Some fabric detail.
Ans.
ī‚§ Jean = 2/1 twill cotton cloth made warp or weft face.
ī‚§ Poplin = A plain woven warp rib fabric with fine warp and thick weft.
115. What is winding?
Ans. The transferring of yarn from one package to another is called winding.

116. Write down the classes of winding?
Ans.
A. On the basis of package hardness/softness-
ī‚§ Soft winding
ī‚§ Hard winding
B. On the basis of your coil on the package (traversing)
ī‚§ Precision winding and
ī‚§ Non-precision winding
117. What are the types of packages?
Ans. Fundamentally three different types of packages
ī‚§ The parallel would package.
ī‚§ The near-parallel wound packages and
ī‚§ The cross wound packages.
118. What are the classes of winding m/c basis on package of yarn produced?
Ans.
ī‚§ Pirn winding m/c
ī‚§ Cop winding m/c
ī‚§ Spool winding m/c
ī‚§ Cheese winding m/c
ī‚§ Cone winding m/c
119. What are the ways in which a yarn package may be unwound?
Ans. There are two ways in which a yarn package may be unwound-
ī‚§ Side withdrawal and
ī‚§ Over end withdrawal.
120. What are the faults of winding?
Ans. Faults-
ī‚§ Too soft or hard package
ī‚§ Improper knots.
ī‚§ Dirty package
ī‚§ Incorrect winding speed
ī‚§ Unsatisfactory package shape.
ī‚§ Ribboning
ī‚§ Balloning
121. Mention the Auxiliary functions of winding machine?
Ans. The Auxiliary functions of a winding machine include-
ī‚§ Creeling
ī‚§ Piecing
ī‚§ Doffing.
122. What is warping?
Ans. The parallel winding of a set of warp yarns from many yarn packages (cone/cheese) on a flanged bobbin (warping beam) at uniform spacing, tension and length is called warping.

123. How many types of warping?
Ans. There are mainly two types of warping-
ī‚§ Direct or high speed or beam warping
ī‚§ Sectional or pattern or drum warping.
124. Write the components of warping machine?
Ans. A warping machine consists of three main parts:
ī‚§ Creel
ī‚§ Headstock
ī‚§ Control unit.
125. Classify the sizing method?
Ans. On the basis of size % on the yarn-
ī‚§ Light sizing- 10% - 15%
ī‚§ Pure sizing - 16% - 25%
ī‚§ Medium sizing - 26% - 50%
ī‚§ Heavy sizing - 50% - 100%
On the basis of application process-
ī‚§ Surface sizing
ī‚§ Core sizing
ī‚§ Optimal sizing
126. What are the reason of clothing?
Ans.
ī‚§ Modesty
ī‚§ Protection against adverse climate conditions
ī‚§ Adornment
ī‚§ Identification
ī‚§ Aristocratic reason
127. What the breaks that used to stop the loom?
Ans.
ī‚§ Mechanical
ī‚§ Pneumatic (used air)
ī‚§ Hydraulic (used liquid)
128. Some important terms -

ī‚§ * The ratio of RPM of crank shaft and bottom shaft is always 2:1
ī‚§ ** RPM of crank shaft = PPM of the loom
129. Can we mount more than two shedding tappet in a loom?
Ans. No

130. What is dwell?
Ans. The stationary period of heald frames in open shed condition during which time, the shuttle travel from one side of the loom to the other side.

131. How many heald frames can be controlled by Dobby shedding mechanism?
Ans. Theoretically maximum 48 but practically 36 can be controlled. But for cotton yarn weaving 24 controlled.

132. Minimum how many heald frame is controlled by Dobby shedding?
Ans. Minimum 12.

133. Maximum how many heald frame is controlled by Jacquard shedding?
Ans. 1800

134. What is efficiency?
Ans. The weaving efficiency describes how effectively a set of looms work in normal workingenvironment.

135. What is bastard reed?
Ans: A reed in which dent space at each side is slightly greater than in the center.

136. What is flat bed?
Ans: A bed which provides a flat surface in a same pane as the table in which it is mounted.

137. What is Brocade?
Ans: A woven, patterned fabric using multi-colored threads

138. What is Damask?
Ans: It is similar to brocade but is finer, thiner. A woven, patterned fabric, using all one color - think fancy white cloth napkins. Usually silk, linen, cotton, rayon or synthetic blends.

139. What is voile?
Ans: Soft fine sheer fabric.

140. What is worsted?
Ans: Fine closely-woven wool.

10/10/2017

Yarn Numbering and Conversions
Count Conversion (Ne / Nm / Tex / Decitex / Denier...)
Yarn Count
Count is a numerical value, which express the coarseness or fineness (diameter) of the yarn and also indicate the relationship between length and weight(the mass per unit length or the length per unit mass)of that yarn. Therefore, the concept of yarn count has been introduced which specifies a certain ratio of length to weight.
The fineness of the yarn is usually expressed in terms of its linear density or count. There are a number of systems and units for expressing yarn fineness. But they are classified as follows .
Types of Yarn Count System :
1. Direct Count System
2. Indirect Count System
Direct Count System :
The common features of Direct count systems are the length of the yarn is fixed and the weight of yarn varies to its fineness.
Definition of the above Systems is as follows
1. Tex system ..........................NO. of grams per 1000 meters
2. Denier .................................No. of Grams per 9000 meters
3. Deci Tex ..............................No. of grams per 10,000 metres
4. Millitex ................................No. of milligrams per 1000 metres
5. Kilotex............................... .No. of kilograms per 1000 metres.
6. Jute count............................No. of lb per 14,400 yds
Indirect Count System :
The common features of Indirect count systems are the weight of yarn is fixed and the length of yarn varies according to its fineness.
Definition of the above Systems is as follows
1. Ne ..........................No. of 840 yards in One pound
2. Nm .........................No. of 1000 metres (Kilometre) in One Kilogram
According to the yarn count definition given in British Standards by using following formula
you can convert yarn count from one unit to another.
From – To Formula
1 Ne to Denier 5315 / Ne
2 Denier to Ne 5315 / Denier
3 Ne to Nm Ne X 1.69
4 Nm to Ne Nm / 1.69
5 Denier to Nm 9000 / Denier
6 Nm to Denier 9000 / Nm
7 Ne to Tex 590.5 / Ne
8 Tex to Ne 590.5 / Tex
9 Tex to Nm 1000 / Tex
10 Nm to Tex 1000 / Nm
11 Tex to Denier Tex x 9
12 Denier to Tex Denier / 9
13 Denier to Decitex Denier / 0.9
14 Nm to Decitex 10,000 / Nm
15 Ne to Decitex 5905 / Ne

05/10/2017

Determination of Chlorine.

Hypochlorites are salts, chiefly important as powerful oxidizing and bleaching agents; not, however, when pure, but when containing chloride...

29/09/2017

#āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻĄāĻžāχāĻ‚
āĻĒā§āϰāĻļā§āύ – ā§§. āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻĄāĻžāχāĻ‚ āϕ⧇āύ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ āϤ⧈āϰāĻŋāĻ•ā§ƒāϤ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻ•āĻžāĻĒ⧜ āωāĻœā§āĻœā§āĻŦāϞ āĻ•āϰāĻž āĻāĻŦāĻ‚ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻŦ⧃āĻĻā§āϧāĻŋ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝāĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍. āĻ•āϟāύ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āϜāĻ¨ā§āϝ āϕ⧋āύ āĻĄāĻžāχ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ āĻĄāĻžāχāϰ⧇āĻ•ā§āϟ āĻĄāĻžāχāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Š. āĻĒāϞāĻŋā§Ÿā§‡āĻ¸ā§āϟāĻžāϰ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āϜāĻ¨ā§āϝ āϕ⧋āύ āĻĄāĻžāχ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ āĻĄāĻŋāϏāĻĒāĻžāĻ°ā§āϏ āĻĄāĻžāχāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Ē. āϏāĻŋāĻ˛ā§āĻ• āĻ•āĻžāĻĒā§œā§‡āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āϕ⧋āύ āĻĄāĻžāχāύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ āϰāĻŋā§Ÿā§āϝāĻžāĻ•āϟāĻŋāĻ­ āĻĄāĻžāχāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Ģ. āĻ•ā§Ÿā§‡āĻ•āϟāĻŋ āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻĄāĻžāχāĻ‚ āĻŽā§‡āĻļāĻŋāύ⧇āϰ āύāĻžāĻŽ āϞāĻŋāĻ–āĨ¤
āωāĻ¤ā§āϤāϰāσ āϜāĻŋāĻ—āĻžāϰ āĻĄāĻžāχāĻ‚ āĻŽā§‡āĻļāĻŋāύ, āωāχāĻžā§āϚ āĻĄāĻžāχāĻ‚ āĻŽā§‡āĻļāĻŋāύ, āĻœā§‡āϟ āĻĄāĻžāχāĻ‚ āĻŽā§‡āĻļāĻŋāύ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Ŧ. āĻĒāϞāĻŋā§Ÿā§‡āĻ¸ā§āϟāĻžāϰ āĻ•āĻžāĻĒ⧜ āĻĄāĻžāχāĻ‚ āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻž āĻ•āϤ?
āωāĻ¤ā§āϤāϰāσ ā§§ā§Šā§ĻÂē āϏ⧇āϞāϏāĻŋ⧟āĻžāϏāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§­. āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŦāϞāϤ⧇ āĻ•āĻŋ āĻŦ⧁āĻ?
āωāĻ¤ā§āϤāϰāσ āϝ⧇ āĻĒā§āϰāĻ•ā§āϰāĻŋ⧟āĻžāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāĻ•āϟāĻŋ āĻĒā§‚āĻ°ā§āĻŖāĻžāĻ™ā§āĻ— āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āϧ⧌āϤ āĻ•āϰ⧇ āĻāϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨ āĻŽā§ŸāϞāĻž, āĻ…āĻĒāĻĻā§āϰāĻŦā§āϝāϏāĻŽā§‚āĻš āĻĻā§‚āϰ āĻ•āϰ⧇ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Ž. āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻĒā§āϰāϧāĻžāύāϤ āĻ•āϤ āĻĒā§āϰāĻ•āĻžāϰ?
āωāĻ¤ā§āϤāϰāσ āĻĻ⧁āχ āĻĒā§āϰāĻ•āĻžāϰāĨ¤ āϝāĻĨāĻžāσ āĻ•. āĻĄā§āϰāĻžāχāĻ‚ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚, āĻ–. āĻ“ā§ŸāĻžāϟāĻžāϰ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧝. āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻāϰ āĻĒāĻĻā§āϧāϤāĻŋ āĻ•ā§ŸāϟāĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻĒā§āϰāϧāĻžāύāϤ āĻĻ⧁āχāϟāĻŋāĨ¤ āϝāĻĨāĻžāσ āĻ•. āĻ¸ā§āĻŸā§‹āύ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚, āĻ–. āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Ļ. āĻŦā§āϞāĻŋāϚāĻŋāĻ‚ āĻ“ā§ŸāĻžāĻļāĻŋāύ āĻ•āϤ āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻžā§Ÿ āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ ⧝ā§ĻÂē āϏ⧇āϞāϏāĻŋ⧟āĻžāϏāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§§. āĻĒāĻŋāĻ—āĻŽā§‡āĻ¨ā§āϟ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ•āϤ āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻžā§Ÿ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ ā§Ŧā§ĻÂē āϏ⧇āϞāϏāĻŋ⧟āĻžāϏāĨ¤
āĻĒā§āϰāĻļā§āύ – ⧧⧍. āĻ¸ā§āϟāĻžāχāϞ āĻ…āĻŦ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻĻā§āĻŦāĻžāϰāĻž āĻ•āĻŋāϛ⧁ āĻļāĻ°ā§āϤ āϏāĻžāĻĒ⧇āĻ•ā§āώ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āφāρāĻļ āĻĻā§āĻŦāĻžāϰāĻž āϤ⧈āϰāĻŋ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āϝ⧇ āĻ•ā§ŒāĻļāϞ⧇ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻ¸ā§āϟāĻžāχāϞ āĻ…āĻŦ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Š. āĻ—āĻžāĻ°ā§āĻŽā§‡āĻ¨ā§āϟāϏ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻŽā§āϝāĻžāĻŸā§‡āϰāĻŋ⧟āĻžāϞ āĻ“ āϞāĻŋāĻ•āĻžāϰ⧇āϰ āĻ…āύ⧁āĻĒāĻžāϤ āĻ•āϤ?
āωāĻ¤ā§āϤāϰāσ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŽā§‡āĻļāĻŋāύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ•āϰāϞ⧇ ā§§āσ ā§Ģ āĻŦāĻž ā§Ģāσ ā§Ž āĻāĻŦāĻ‚ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŽā§‡āĻļāĻŋāύ āĻ›āĻžā§œāĻž āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻ•āϰāϞ⧇ ā§§āσ ā§§ā§Ļ āĻŦāĻž ā§§āσ ⧧⧍ āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Ē. āĻ¸ā§āĻŸā§‹āύ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻāϰ āϏāĻ‚āĻœā§āĻžāĻž āĻĻāĻžāĻ“āĨ¤
āωāĻ¤ā§āϤāϰāσ āĻĒā§‹āĻļāĻžāĻ• āĻŦāĻž āĻ•āĻžāĻĒ⧜ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻāϰ āϝ⧇ āĻĒā§āϰāĻ•ā§āϰāĻŋ⧟āĻžā§Ÿ āĻĒāĻžāĻĨāϰ āĻŦāĻž āĻ¸ā§āĻŸā§‹āύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻ¸ā§āĻŸā§‹āύ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Ģ. āϕ⧋āύ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋāϰ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āĻ¸ā§āĻŸā§‹āύ āĻ“ā§ŸāĻžāĻļ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ āĻĒā§āϰāϧāĻžāύāϤ āϜāĻŋāĻ¨ā§āϏ āĻ“ āĻĄā§‡āύāĻŋāĻŽ āĻāϰ āĻļāĻžāĻ°ā§āϟ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Ŧ. āĻŽāĻžāĻ‚āĻ•āĻŋ āĻ“ā§ŸāĻžāĻļ āĻ•āĻŋ?
āωāĻ¤ā§āϤāĻĒā§āϰāσ āĻĒāϟāĻžāĻļāĻŋ⧟āĻžāĻŽ āĻĒāĻžāϰ āĻ•āĻžāĻ°ā§āĻŦāύ⧇āϟ āĻĻā§āϰāĻŦāϪ⧇ āĻ•āĻžāĻĒā§œā§‡āϰ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻ…āĻ‚āĻļ āĻĄā§āĻŦāĻŋā§Ÿā§‡ āϝ⧇ āĻ“ā§ŸāĻžāĻļ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻŽāĻžāĻ‚āĻ•āĻŋ āĻ“ā§ŸāĻžāĻļ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§­. āĻĄā§āϰāĻžāχ āĻ“ā§ŸāĻžāĻļ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āϕ⧋āύ āĻĒā§āϰāĻ•āĻžāϰ āĻĒāĻžāύāĻŋāϤ⧇ āύāĻž āĻ­āĻŋāϜāĻŋā§Ÿā§‡ āĻŽā§ŸāϞāĻž āĻ…āĻĒāϏāĻžāϰāĻŖ āĻ•āϰ⧇ āĻļ⧁āĻˇā§āĻ• āĻĒāĻĻā§āϧāϤāĻŋāϤ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻĻā§āĻŦāĻžāϰāĻž āĻĒā§‹āĻļāĻžāĻ• āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻĄā§āϰāĻžāχ āĻ“ā§ŸāĻžāĻļ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§§ā§Ž. āĻĄā§āϰāĻžāχ āĻ“ā§ŸāĻžāĻļ⧇āϰ āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻž āĻ•āϤ?
āωāĻ¤ā§āϤāϰāσ ā§§ā§§ā§ĻÂē āϏ⧇āϞāϏāĻŋ⧟āĻžāϏāĨ¤
āĻĒā§āϰāĻļā§āύ – ⧧⧝. āĻŦā§āϞāĻŋāϚāĻŋāĻ‚ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻāϰ āĻĒā§āϰāϧāĻžāύ āϰāĻžāϏāĻžā§ŸāύāĻŋāĻ• āĻĒāĻĻāĻžāĻ°ā§āĻĨ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻ•āĻ¸ā§āϟāĻŋāĻ• āϏ⧋āĻĄāĻžāĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍ā§Ļ. āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻāϰ āϏāĻ‚āĻœā§āĻžāĻž āĻĻāĻžāĻ“āĨ¤
āωāĻ¤ā§āϤāϰāσ āϝ⧇ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻĒā§āϰāĻ•ā§āϰāĻŋ⧟āĻžā§Ÿ āĻāĻ•āϟāĻŋ āĻĒā§‚āĻ°ā§āĻŖāĻžāĻ™ā§āĻ— āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻāϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨ āĻŽā§ŸāϞāĻž, āĻ…āĻĒāĻĻā§āϰāĻŦā§āϝ āĻĻā§‚āϰ āĻ•āϰ⧇ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻ“ā§ŸāĻžāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍⧧. āĻĒā§‹āĻļāĻžāĻ• āĻĢāĻŋāύāĻŋāĻļāĻŋāĻ‚ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻĒā§‹āĻļāĻžāĻ• āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ⧇āϰ āĻĒāϰ āϤāĻž āĻ•ā§āϰ⧇āϤāĻžāϰ āύāĻŋāĻ•āϟ āφāĻ•āĻ°ā§āώāĻ¨ā§€ā§Ÿ āĻ•āϰāĻžāϰ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϝāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ• āĻĒāĻĻā§āϧāϤāĻŋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻŦāĻž āĻĒā§āϰ⧇āϏāĻŋāĻ‚, āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚ āĻ“ āĻĒā§āϝāĻžāĻ•āĻŋāĻ‚ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻĒā§‹āĻļāĻžāĻ• āĻĢāĻŋāύāĻŋāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍⧍. āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻĒā§āϰ⧇āϏāĻŋāĻ‚ āĻ•āϰāĻžāϰ āĻĒāϰ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻ†ā§ŸāϤāύ⧇ āĻĒā§‹āĻļāĻžāĻ• āĻ­āĻžāρāϜ āĻ•āϰ⧇ āϰāĻžāĻ–āĻžāϕ⧇ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§¨ā§Š. āĻĒā§āϰ⧇āϏāĻŋāĻ‚ āĻāϰ āĻ…āĻĒāϰ āύāĻžāĻŽ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻ†ā§ŸāϰāύāĻŋāĻ‚āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍ā§Ē. āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚ āĻ•āϤ āĻĒā§āϰāĻ•āĻžāϰ āĻ“ āĻ•āĻŋ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āϤāĻŋāύ āĻĒā§āϰāĻ•āĻžāϰāĨ¤ āϝāĻĨāĻžāσ āĻ•. āĻļāĻžāĻ°ā§āĻŸā§‡āϰ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚, āĻ–. āĻĒā§āϝāĻžāĻ¨ā§āĻŸā§‡āϰ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚, āĻ—. āĻœā§āϝāĻžāϕ⧇āĻŸā§‡āϰ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍ā§Ģ. āĻļāĻžāĻ°ā§āĻŸā§‡āϰ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚āϗ⧁āϞ⧋āϰ āύāĻžāĻŽ āϞāĻŋāĻ–āĨ¤
āωāĻ¤ā§āϤāϰāσ āĻ•. āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āφāĻĒ, āĻ–. āϏ⧇āĻŽāĻŋ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āφāĻĒ, āĻ—. āĻĢā§āĻ˛ā§āϝāĻžāϟ āĻĒā§āϝāĻžāĻ• āĻ“ āϘ.āĻšā§āϝāĻžāĻ™ā§āĻ—āĻžāϰ āĻĒā§āϝāĻžāĻ• āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍ā§Ŧ. āĻĒā§āϰ⧇āϏāĻŋāĻ‚ āĻŦāĻž āĻ†ā§ŸāϰāύāĻŋāĻ‚ āĻ•āĻžāϕ⧇ āĻŦāϞ⧇?
āωāĻ¤ā§āϤāϰāσ āϝ⧇ āĻĒā§āϰāĻ•ā§āϰāĻŋ⧟āĻžāϰ āĻĻā§āĻŦāĻžāϰāĻž āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻŽāĻ§ā§āϝāĻ¸ā§āĻĨ āĻ…āύāĻžāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻŋāϤ āĻ­āĻžāρāϜ āĻŦāĻž āϕ⧋āρāĻ•ā§œāĻžāύ⧋ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāϕ⧇ āĻĻā§‚āϰ āĻ•āϰ⧇ āĻĒā§‹āĻļāĻžāϕ⧇āϰ āĻŽāϏ⧃āĻŖāϤāĻž, āϚāĻžāĻ•āϚāĻŋāĻ•ā§āϝāϤāĻž, āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻŦ⧃āĻĻā§āϧāĻŋ āĻ•āϰāĻž āĻšā§Ÿ āϤāĻžāϕ⧇ āĻĒā§āϰ⧇āϏāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍⧭. āĻĒā§āϝāĻžāĻ•āĻŋāĻ‚ āĻ•āĻžāϕ⧇ āĻŦāϞ⧇?
āωāĻ¤ā§āϤāϰāσ āĻĢā§‹āĻ˛ā§āĻĄāĻŋāĻ‚ āĻ•āϰāĻžāϰ āĻĒāϰ āĻĒā§‹āĻļāĻžāĻ•āϕ⧇ āϧ⧁āϞāĻžāĻŦāĻžāϞāĻŋ āĻ“ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻŽā§ŸāϞāĻžāϰ āĻšāĻžāϤ āĻĨ⧇āϕ⧇ āϰāĻ•ā§āώāĻžāϰ āϜāĻ¨ā§āϝ āĻ“ āĻŦāĻžāϜāĻžāϰ āωāĻĒāϝ⧋āĻ—ā§€ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϝ⧇ āĻĒāϞāĻŋ āĻŦā§āϝāĻžāϗ⧇ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻĒā§āϝāĻžāĻ•āĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§¨ā§Ž. āĻ…ā§āϝāĻžāϏāĻ°ā§āϟāĻŽā§‡āĻ¨ā§āϟ āĻŦāϞāϤ⧇ āĻ•āĻŋ āĻŦ⧁āĻ?
āωāĻ¤ā§āϤāϰāσ āĻ…ā§āϝāĻžāϏāĻ°ā§āϟāĻŽā§‡āĻ¨ā§āϟ āĻŦāϞāϤ⧇ āϏāĻ‚āĻ—ā§āϰāĻšāĻ•āϰāĻŖ āĻŦāĻž āϕ⧋āύ āϕ⧋āύ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻļā§āϰ⧇āύāĻŋāĻŦāĻŋāĻ¨ā§āϝāĻ¸ā§āϤāĻ•āϰāĻŖāϕ⧇āχ āĻŦ⧁āĻāĻžā§ŸāĨ¤
āĻĒā§āϰāĻļā§āύ – ⧍⧝. āĻĄāĻŋ-āϞāĻžāϏāϚāĻžāϰāĻŋāĻ‚ āĻ…āĻ°ā§āĻĨ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āϰāϙ⧇āϰ āωāĻœā§āĻœā§āĻŦāϞāϤāĻž āĻ•āĻŽāĻŋā§Ÿā§‡ āĻŦāĻŋāĻļ⧇āώ āĻŦ⧈āϚāĻŋāĻ¤ā§āϰ āφāύ⧟āύ āĻ•āϰāĻžāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Šā§Ļ. āĻŦā§āϰāĻžāχāĻŸā§‡āύāĻŋāĻ‚ āĻĢāĻŋāύāĻŋāĻļāĻŋāĻ‚ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āĻŸā§‡āĻ•ā§āϏāϟāĻžāχāϞ āĻĻā§āϰāĻŦā§āϝ āĻŦāĻž āĻ•āĻžāĻĒā§œā§‡ āĻ…āϤāĻŋāĻŽāĻžāĻ¤ā§āϰāĻžā§Ÿ āĻļ⧁āĻ­ā§āϰāϤāĻž āφāύ⧟āύ⧇āϰ āϜāĻ¨ā§āϝ āϝ⧇ āϕ⧇āĻŽāĻŋāĻ•ā§āϝāĻžāϞ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻŦāĻŋāĻļ⧇āώ āϧāϰāύ⧇āϰ āĻĢāĻŋāύāĻŋāĻļāĻŋāĻ‚ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻŦā§āϰāĻžāχāĻŸā§‡āύāĻŋāĻ‚ āĻĢāĻŋāύāĻŋāĻļāĻŋāĻ‚ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Šā§§. āĻŦā§āϰāĻžāχāĻŸā§‡āύāĻŋāĻ‚ āĻĒā§āϰāĻŖāĻžāϞāĻŋ āĻ•āϤ āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻžā§Ÿ āĻ•āϰāĻž āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰāσ ā§Ēā§ĻÂē āĻĨ⧇āϕ⧇ ā§Ŧā§ĻÂē āϏ⧇āϞāϏāĻŋ⧟āĻžāϏāĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Šā§¨. āĻ¸ā§āϟāĻŋāĻŽ āĻ•āĻŋ?
āωāĻ¤ā§āϤāϰāσ āϕ⧋āύ āĻĒāĻžāĻ¤ā§āϰ⧇ āĻĒāĻžāύāĻŋ āϰ⧇āϖ⧇ āϤāĻžāϤ⧇ āωāĻšā§āϚ āϤāĻžāĻĒ⧇ āĻĒāĻžāύāĻŋ āĻĢ⧁āϟāĻŋā§Ÿā§‡ āϝ⧇ āĻŦāĻžāĻˇā§āĻĒ āϤ⧈āϰāĻŋ āĻ•āϰāĻž āĻšā§Ÿ, āϤāĻžāϕ⧇ āĻ¸ā§āϟāĻŋāĻŽ āĻŦāϞ⧇āĨ¤
āĻĒā§āϰāĻļā§āύ – ā§Šā§Š. āĻĒā§‹āĻļāĻžāĻ•āĻļāĻŋāĻ˛ā§āĻĒ⧇ āϕ⧇āύ āĻ¸ā§āϟāĻŋāĻŽ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻšā§Ÿ?
āωāĻ¤ā§āϤāϰ : āĻ•āĻžāĻĒ⧜ āĻ†ā§ŸāϰāύāĻŋāĻ‚ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ

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