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spartacus, Degnerstraße 9, Berlin (2026)

02/09/2026

Keshav Suri: A Five-Star Revolution

Keshav Suri is one of those rare individuals who redefine the concept of luxury. For some, it signifies separation, distance, a world behind glass. For Suri, however, luxury is a public space—a place that connects people and shapes social reality.

As Executive Director of The LaLiT Suri Hospitality Group, he could easily have continued along the traditional path: prestige, growth, and exclusivity. Instead, Suri chose a different course. He wanted to create hotels that not only impress but also transform; establishments that do not merely welcome guests in residence but also make people visible. With this mindset, he turned an entire industry on its head. For decades, LaLiT hotels in India have been synonymous with opulence: magnificent architecture, meticulous service, and a touch of Bollywood glamour. Yet, since Keshav Suri took the helm, they have been telling a second story—one that is more political than their marble halls might suggest. It is a story of courage, vulnerability, tradition, and change—and one in which Suri himself plays the lead role.

Visibility as a Life’s Mission
India is a country where q***r people were long forced to remain invisible. Homosexuality was criminalized until 2018, and social acceptance remains fragile in many places to this day. Suri, who is gay himself, knows this tension firsthand. He speaks openly about the difficulty of no longer hiding his identity, and the courage required to be visible as a q***r man—not just in private, but in public—and to turn that visibility into a corporate principle. For him, this step was more than just coming out; it was an act of responsibility. "If I am not visible, then who will be?" he once said. It was precisely out of this sense of identity that one of the most iconic projects of Indian q***r culture emerged: Kitty Su, the nightclub at The LaLiT Delhi.

Kitty Su – A Club Making History
On paper, Kitty Su is a luxury club in the heart of a five-star hotel. In reality, it is a beacon. It is a space where drag queens from around the world perform, where trans talent literally takes center stage, and where q***r artists finally have the platform that was denied to them for so long. Kitty Su is glamorous, loud, and dazzling—but above all, it is revolutionary. For here, a truth becomes visible that is rarely spoken openly in India: q***rness is part of the country’s cultural, artistic, and social landscape. Not on the fringes, but right at the heart of it. And Keshav Suri is the host who ensures this visibility is protected, even in times of political headwinds.

Inclusion in Action – Far Beyond the Dance Floor
Suri’s commitment goes beyond performances and Pride parties. Founding the "Pure Love" initiative in 2017 was a radical step. Its goal: to give visibility to people whom Indian society all too readily overlooks. This includes q***r individuals and people with disabilities, as well as survivors of acid attacks—a group often systematically excluded from professional and social spheres. Through Pure Love, training courses were developed, empowerment programs established, and staff sensitized. Under Suri’s leadership, people from marginalized communities were hired—not as a charitable gesture, but as an integral part of the business. One of the most impressive examples is the now-renowned DJ Varun Khullar; a wheelchair user following an accident, he received musical training at The LaLiT. Today, he performs as a resident DJ—in a club that, under other circumstances, might never have seen him.

The Keshav Suri Foundation – Creating Lasting Structures
A year later, Suri founded the Keshav Suri Foundation, which has since become one of the country’s most important LGBTQ institutions. The foundation offers workshops, mental health services, and professional training programs, collaborating with international organizations such as "It Gets Better." Today, over 200 openly q***r employees work at LaLiT properties—a figure that seems almost revolutionary in India. International recognition followed: in 2024, The LaLiT became the first global hotel group to be accredited by the International LGBTQ+ Travel Association (IGLTA). It is a milestone and an unmistakable statement. For q***r travelers, this accreditation signifies safety. For India, it means visibility. And for the industry, it signals that inclusion is no longer optional.

Luxury that takes a stand
There are activists who fight with banners and entrepreneurs who argue with figures. Keshav Suri is neither—and that is precisely why he is so effective. He belongs to a generation of leaders who understand that economic success and social progress are not mutually exclusive but can reinforce one another. For him, luxury is not an ivory tower but a stage—a stage where values must be made visible: respect, safety, and openness. "A hotel must be a home for everyone," he says. And anyone walking through LaLiT properties senses exactly that: these places do not seek to maintain a façade; they aim to shape reality.

The new world of travel—meaning over status
The travel landscape is changing. Guests—especially younger ones—no longer ask merely about the size of the pool or the number of stars. They want to know what stance a company takes. What impact it has. Which doors it opens, and for whom. The LaLiT provides clear answers to these questions. Here, luxury means not just comfort, but belonging; not just arrival, but recognition. It is not merely an elegant stay, but a feeling: You are welcome—truly welcome.

The legacy of a quiet revolution
Keshav Suri is not a man who seeks the spotlight, even though he has long since become a symbolic figure. He is someone who works, who shapes, who builds spaces—both literally and figuratively. Spaces where people can feel free. Spaces that show what a more just future can look like. Spaces that prove the hospitality industry can be far more than just glamour and profit. He has not only transformed the Indian hospitality sector but expanded it. Made it more human. Bolder. More colorful. More open. When you step into a LaLiT hotel in New Delhi, Jaipur, Mumbai, Goa, or Udaipur today, you see it immediately: these are places of beauty—but even more so, places of change. And therein lies Suri’s greatest legacy. His hotels are not just buildings, but messages. The most important of these is: You are welcome. Just as you are.

www.thelalit.com

26/08/2026

Cape Town's Creatives

With their company Design Safaris, the German-South African couple Micha and Tom provide insights into studios and show rooms in which Cape Town shapes its creative identity.

Anyone who visits Cape Town first moves through familiar images. The line of Table Mountain, the beaches, the wide light over the Atlantic. But the city gains depth as soon as you turn. Ideas, objects, shapes and stories that shape the character of Cape Town are created in former industrial districts, small backyards or inconspicuous houses. This is exactly where aēsplore's work comes in. Micha and Tom, founders and partners, rarely talk about tourism. They talk about access. About rooms that you can only enter with an invitation and about encounters that make a place read differently. Tom puts it simply: "You get to know many cities through their visible highlights. We are interested in what lies behind them. What shapes a city from the inside out."

This attitude gave rise to her Design Safaris format. They are curated daily experiences that do not focus on program items, but on relationships. The two have built up a network over the years that consists of architects, designers, artists and other designers. People working in their studios and willing to share their processes. They call these partners “Originals”. The term describes less a label than an attitude. Micha says: “It is people who shape a city by acting, not by appearing.”

Relevant Encounters
The tours do not follow a standardized process. Every encounter is different because every “original” works differently. Sometimes you stand in a studio where the smell of wood fills the air. Sometimes in a room with architectural designs scattered across the floor. Sometimes in the middle of a conversation about material origins, urban development or identity. Design safaris are observation rooms, not guided tours. The fact that the concept works particularly well in Cape Town is due to the city itself. The creative scene is international, agile and at the same time deeply rooted locally. Many work with materials from the region, other cultural traditions or new ecological methods. Anyone who designs here automatically engages with the place. And it is precisely this context that makes the encounters so relevant. You not only see works, but also attitudes.
For Micha and Tom, aesploring (aesthetic exploring), as they call it, is a way of traveling that creates connections. Between guests and the people behind the projects. Between the city and its hidden spaces. Between what is visible and what only emerges in conversation. It's an approach that doesn't have to be loud or spectacular to have a lasting impact.

Sustainable Moments
Sometimes at the end of a day there is a smell in your clothes, a color in your head or a sentence that resonates. Sometimes it's just a look from the “original” that says: Something begins here. And perhaps this is exactly the moment when you understand why aēsplore proposes a new way of traveling. Travel that connects and continues to have an impact.

This movement creates portraits that don't read like descriptions, but rather like encounters. Stories of people who shape Cape Town and were shaped by Cape Town. Their studios, their materials, their thoughts. They show what it means to understand a city through its creative minds.

BRETT CHARLES SEILER
There are artists whose presence already forms their own work. Brett is one of them. Anyone sitting across from him in the studio immediately understands that the boundaries between his life and his art are fluid. His skin is covered with tattoos, many of his own designs, small visual notes that have become a kind of personal archive. Lines, words, symbols. They tell a story that doesn't want to be loud, but is precise. Just like his work.

Brett is considered one of the most exciting young voices in the South African art scene. International galleries show his works, and yet his working method remains surprisingly quiet. Wooden panels, sheets of paper, wax residues and small found objects are piled up in the studio, the function of which only becomes clear in conversation. His art is created from reduced materials, but never from reduction in expression. There is an attitude behind every surface, a consideration behind every line.

His themes revolve around closeness, identity and memory. Q***r realities of life appear in his pictures, often only as a subtle hint. Words appear, disappear, are superimposed or sanded down. Nothing seems staged. A lot of things are deliberately left open. Brett rarely states clearly what a work means. It leaves room for reading, for feeling, for misunderstanding. This makes his work accessible and at the same time deep.

Typography plays a central role for him: short words, fragments , half-sentences. They sit somewhere between drawing and painting, like messages read by chance. It is these in-between spaces that make his works so compelling. One feels as though one is entering an internal dialogue—one that is never spoken aloud.
A sense of the unfinished pervades the studio. Older pieces hang alongside new ones; some are propped against the wall, others remain completely raw. Brett speaks about this with a composure that reveals how, for him, the process matters more than the result. Here, art is not a finished gesture but an ongoing rhythm. His own demeanor reflects this: tattooed, understated, clear-eyed. He comes across as an artifact of his own practice—not an object, but a living document.

Perhaps this is precisely why Brett is considered a rising star. His works are at once precise and restrained. They do not dictate; they open up. And they invite us to slow down our own perception. In an art scene that often clamors for attention, his strength lies in a quiet urgency.

ONESIMO BAM
Onesimo is one of those creators who instantly generate a distinct atmosphere. Even before you see his clothing, you sense the clarity of his thought. His gaze is attentive, his movements calm, yet everything he does carries an underlying tension. This energy also shapes his work, which moves effortlessly between fashion, art, and performance.

His fashion possesses an architectural rigor: lines, volumes, and silhouettes are carefully considered—almost structural. Yet this rigor never conflicts with the softness of his narrative approach. For Onesimo, clothing is a medium of communication. It reveals a sense of self rather than a staged persona. A q***r perspective quietly resonates through his work, without ever being explicitly labeled or explained. It manifests in openness and flexibility—in the way his pieces do not define the body, but rather accompany it.

A central element of his practice is a deep interest in collaboration. *Progression 1*, one of his recent projects, clearly demonstrates this. Photographers, performers, musicians, and designers work together on a process that transcends the concept of a mere collection. It is about exchange, community, and a certain reciprocity that is palpable in his garments. They feel like wearable reflections on identity, the city, and the future.

His inspiration often stems from the streets of Langa, a township near Cape Town. Gestures, movements, encounters—he observes how clothing is worn, altered, and combined in everyday life. From these impressions emerge pieces that are both locally rooted and globally resonant. Onesimo describes clothing as a reaction—a response to environment, mood, and history.

His studio is a place where fabrics and patterns sit side by side, yet never haphazardly; every design follows an internal logic. At the same time, the space remains open and permeable—almost like a laboratory. One senses that his practice is never truly finished; it evolves with every conversation, every project, and every new collaboration.

Onesimo is one of Cape Town’s most important creative voices—not because he creates divisions, but because he fosters connections. His fashion is not merely a display, but a stance. It creates space for identity and expression without pinning them down. And that is precisely what makes his work so contemporary.

MICHAEL CHANDLER
Michael is a designer who blends history, craftsmanship, and the present into a unique visual language. His studio is located in the heart of the colorful Bo-Kaap district, nestled in a neighborhood that feels like a living archive. Chandler House serves as a studio, a shop, and a cultural hub all in one. Stepping into the small shop means finding yourself instantly immersed in stories. Antique prints, botanical illustrations, ceramics, and textiles feel like carefully curated finds, transforming the space into a kind of visual diary.

A distinctive feature of Michael’s work is his large-scale ceramic murals. They have garnered international attention and can be found in places such as Cape Town, Marrakech, Miami, and California. Each mural is a precisely composed piece that blends flora, fauna, and historical references. The handcrafted tiles create images that appear monumental yet retain a warmth in their materiality.

Anyone strolling through Bo-Kaap will quickly recognize Michael’s signature style. Small ceramic house numbers—designed by him and gifted to the neighborhood—adorn numerous facades. This gesture speaks volumes about his philosophy: for him, design is not about creating distance, but about fostering connection—something that becomes visible in everyday life and strengthens the community.
In the studio, Michael works with a clarity that defines his designs. Every object, line, and color is placed deliberately. He is deeply interested in the cultural history of Cape Town—a history he does notpreserves, but rather carries forward. In his work, tradition and contemporary design language meet without overshadowing one another; they complement each other.

Michael creates objects and murals that are not only aesthetically compelling but also reveal how stories live on within materials. His work makes visible how design can shape a city—not through loudness, but through care, intimacy, and permanence.

JOEL MAMBOKA
Joel possesses a distinctive elegance. His attire—often inspired by the Congolese SAPE movement—appears as a deliberate extension of his artistic practice. He views style as an attitude, a form of self-assertion, and a reflection of the cultural history that has been with him since his childhood in Kinshasa. Today, he lives and works in Cape Town, blending both worlds into a visual language that is at once personal and universally resonant.

In his works, Joel combines oil paint, fabrics, found objects, and wallpaper fragments into multi-layered compositions. Worn patterns and overlapping layers of fabric—which only acquire meaning through their interplay—create a visual depth akin to memory. His portraits depict people in moments of joy, tranquility, or connection. The figures appear focused and present, as if holding onto a thought just before it slips away.

Textile techniques from Kinshasa—specifically the principle of patchwork—are central to his work. For Joel, identity does not appear as a smooth surface, but rather as an intricate weave of individual parts. The elegance of the SAPE movement—and its concept of style as an expression of dignity and cultural self-awareness—serves as a key point of reference. This fusion of aesthetics, history, and attitude runs through his entire body of work.

His studio in Cape Town is bright, with a view of Table Mountain. Scraps of fabric, sketches, and small artifacts lie on a large table, gradually becoming part of his paintings. The room is quiet yet charged with energy. When Joel isn’t here, you’ll often find him downtown at Open W**e; amidst live jazz and conversations with fellow creatives, he gathers impressions, movements, and moods that later find their way into his compositions.

Joel’s art portrays identity as something living and multifaceted. His works speak softly yet powerfully, lingering in the viewer’s mind long after they are seen.

www.designsafaris.com

19/08/2026

Michelin-Starred Cuisine Aboard the nickoSPIRIT

Cruise enthusiasts can look forward to a truly exceptional dining highlight at a gourmet event aboard the modern *nickoSPIRIT*: from November 27 to 28, 2026, nicko cruises and YouDinner invite guests to an exclusive gourmet cruise starting and ending in Frankfurt. Michelin-starred chef Fritz Benson from the Bonn-based restaurant *Theodor’s* will delight guests with a specially created 5-course menu, accompanied by perfectly paired w**es. His sister, Jana Benson, will act as host for the evening, leading the event alongside her service team. Guests will enjoy outstanding Michelin-starred cuisine set against a unique backdrop.

What could be better than savoring the moment with all the senses? Guests with a refined appreciation for the culinary arts have the extraordinary opportunity to do just that—and leave everyday life behind for a short while—during the two-day YouDinner event cruise aboard the *nickoSPIRIT*.

Exclusive Cuisine and Impressive Views
Michelin-starred chef Fritz Benson has created an exclusive 5-course menu for the evening. In the stylish ambiance of the panoramic restaurant aboard this modern river ship, fine dining meets spectacular views of the Frankfurt skyline and the passing river scenery. Carefully selected w**e pairings, perfectly matched to the menu, round off the evening. As part of the event, guests also have the chance to experience the Michelin-starred chef up close and learn more about his personal culinary philosophy and inspirations. Jana Benson and her service team will guide guests through the evening—a wonderful highlight for gourmets, presented by YouDinner, Germany’s exclusive dinner club.

Siblings with a Passion for Culinary Art
Deeply rooted in their home region and driven by a profound passion for gastronomy, Jana and Fritz Benson have found their culinary home at *Theodor’s* in Bonn. Named after their grandfather, this top-tier restaurant was awarded its first Michelin star in 2026 and delights guests with flavorful, modern French cuisine and regional ingredients. While Fritz Benson defines the culinary style as Head Chef, his sister Jana guides guests through the evening. Together, they bring a harmonious blend of cuisine and service to the *nickoSPIRIT*.

Moments of culinary delight in an upscale setting
The *nickoSPIRIT* embodies a modern onboard concept and innovative design—the perfect venue for an exceptional dining experience. In keeping with nicko cruises’ "Slow Cruising" philosophy, travelers can settle into their comfortable outside cabins and ease into the evening at a leisurely pace. The event begins at 6:00 PM with a reception, an aperitif, and an *amuse-bouche* from the kitchen. The *nickoSPIRIT* then departs from Frankfurt, and Fritz Benson and his team treat guests to their culinary creations in the panoramic restaurant.

After dinner, guests can unwind and soak in the passing scenery. The following morning, a lavish breakfast buffet awaits before this unique combination of cruising and fine dining concludes with disembarkation in Frankfurt. As part of an early-booking special, guests who book by October 15, 2026, will also receive a complimentary bottle of premium sparkling w**e in their cabin upon arrival.

Full details about the trip can be found here - https://www.nicko-cruises.de/reise/you-spi?journeyId=6800a46dd5266e1ed9099623&startDate=2026-11-27&filters=null

12/08/2026

Tschuggen Grand Hotel
Alpine Elegance

It is a place where alpine luxury, architectural excellence, and genuine openness merge to create an extraordinary lifestyle experience: The Tschuggen Grand Hotel in Arosa represents a modern interpretation of the grand hotel concept – sophisticated, sensual, and international.

High above the valley floor of Arosa, at an altitude of approximately 1,800 meters, the Tschuggen Grand Hotel stands as one of the iconic luxury addresses of the Swiss Alps. For decades, the hotel has been a retreat for an international clientele seeking discretion, excellence, and timeless elegance. Nestled in the mountains of Graubünden, the five-star resort combines classic grand hotel tradition with contemporary design, state-of-the-art infrastructure, and a clear commitment to cultural openness.

Architectural Masterpiece
The hotel's location is far more than just a scenic bonus. Located directly on the ski slopes and surrounded in summer by hiking trails, mountain lakes, and alpine tranquility, nature here becomes an integral part of the concept of luxury. The true heart of the hotel, however, lies within the mountain itself: the Tschuggen Mountain Oasis. Designed by renowned architect Mario Botta, the 5,000-square-meter spa complex is an architectural masterpiece. Light-filled rooms, indoor and outdoor pools, saunas, and relaxation areas open up across several levels, creating a seamless transition between architecture and landscape. The Mountain Oasis understands wellness not as a fleeting trend, but as sustainable regeneration – minimalist, thoughtfully designed, and uncompromisingly high-quality.

The Tschuggen Grand Hotel also sets culinary standards. Foremost among them is the gourmet restaurant La Brezza, which, with two Michelin stars and 19 Gault & Millau points, is one of Switzerland's top restaurants. Head chef Marco Campanella celebrates a modern haute cuisine here, combining alpine products with Mediterranean refinement and Italian precision. The offerings are complemented by other restaurants, ranging from classic grand hotel fare to relaxed, contemporary concepts. At the Tschuggen, culinary art isn't staged, but rather lived – with naturalness, quality, and a refined sense of enjoyment.

A Clear Stance
The hotel's clear stance on diversity and social responsibility is also compelling. As an official partner of the Arosa Gay Ski Week, the Tschuggen Grand Hotel visibly positions itself as a host for one of Europe's most important LGBTQ winter sports events. This partnership reflects a self-understanding that views openness not as a trend, but as an integral part of contemporary luxury hospitality. This understanding is also reflected in its participation in Booking.com's Travel Proud program. The label recognizes hotels that actively promote a discrimination-free stay for LGBTQ+ travelers and provide their staff with appropriate training. At the Tschuggen Grand Hotel, this commitment is palpable – subtle, respectful, and natural. The Tschuggen Grand Hotel Arosa thus represents a concept of luxury that extends far beyond material excellence. Between iconic spa architecture, internationally acclaimed cuisine, and a clear set of values, travelers find a place that unites tranquility, style, and conviction. A grand hotel in the truest sense – and a retreat for those who understand luxury as a way of life.

www.tschuggencollection.ch

07/08/2026

Hotel Gewandhaus Dresden

Part of Marriott's Autograph Collection, the Hotel Gewandhaus Dresden is one of those rare places where history and contemporary luxury blend seamlessly into a harmonious narrative.

The baroque façade, originally built in the 18th century as a prestigious guildhall for clothmakers, now rises as an impressive entrance to a five-star hotel that not only references the past but translates it into a modern form of elegance. After its near-total destruction in World War II, the building stood for many years as a silent witness to history. Its meticulous reconstruction began only decades later. This reconstruction, complemented by a comprehensive renovation after German reunification, bestowed upon the Gewandhaus the aura of tradition and sophisticated urbanity that characterizes it today.

Peace & Style
The hotel's rooms and suites are havens of tranquility, consciously emphasizing peace and style. Light, natural colors, fine fabrics, and clean lines create a soothingly modern atmosphere. Large box-spring beds, softly shimmering surfaces, and well-proportioned layouts lend the rooms a discreet luxury that doesn't ostentatiously display, but rather soothes. The bathrooms, crafted from light marble, are particularly impressive, featuring spacious rain showers or freestanding bathtubs that evoke a sense of urban spa privacy. Two rooms also boast a private sauna. Floor-to-ceiling windows offer views of the historic old town or the tranquil inner courtyard, while modern lighting and climate controls ensure maximum comfort. The suites additionally provide separate living areas, elegant seating areas, and—depending on the category—architectural elements that subtly reflect the building's Baroque heritage.

Steak & Cake Culture: The Gewandhaus makes a distinct culinary statement. The [m]eatery bar + restaurant, named one of Germany's fifty best steakhouses by the "Schlemmer Atlas," is considered one of Dresden's most sought-after destinations for high-quality meat and seafood. The award-winning concept combines precise grilling techniques with creative flair. Dry-aged cuts of impressive quality, innovative signature dishes, and a w**e list that combines international Grand Crus with exceptional regional w**es make the [m]eatery a favorite spot for gourmets from around the world. The interior, characterized by dark woods, soft lighting, and elegant materials, creates an atmosphere where urban chic and timeless elegance blend seamlessly.

A charming feature of the restaurant is the cake atelier, where handcrafted pastries are created daily. The exquisite cakes, tarts, and desserts are not merely sweet temptations, but miniature works of art that combine traditional confectionery craftsmanship with modern aesthetics. Among the highlights is the regionally popular Eierschecke (a type of cheesecake), which tastes especially delicious in the cake atelier. Many guests visit the Gewandhaus specifically for these creations, which are among the most stylish pastries in Dresden and impress with their aromas, textures, and visual finesse.

Perfect Location

The hotel's location is hard to beat: Situated in the heart of Dresden's historic center, some of the city's most important sights are just a short walk away. The world-famous Semperoper opera house, the magnificent Royal Palace, the art-historically significant Albertinum museum, and the German Hygiene Museum, with its captivating interactive exhibits, create a cultural environment that leaves little to be desired. Those wishing to explore the region further will find one of Germany's most exciting w**e destinations in nearby Radebeul. The Karl Friedrich Aust w**ery is among the most renowned producers of Saxon w**e. On the terraced slopes of the Lößnitz hills, delicate Rieslings and elegant Pinot Noirs are cultivated, characterized by cool minerality and precise aromatics. A tasting at the estate combines landscape, craftsmanship, and culinary delights into an experience that stylishly complements a stay at the Gewandhaus Hotel.

www.gewandhaus-hotel.de

29/07/2026

Mamula Island by Banyan Tree, History Meets Design

Once a historic fortress, now a luxury hotel on the Montenegrin coast: Mamula Island combines history and design with an authentic island feel.

The Mamula Island hotel is located in Montenegro on a small, circular island in the Bay of Kotor. The fortress dates back to the 19th century and was built for military purposes by the Austro-Hungarian General Lazar Mamula. In 2015, it was leased from the Montenegrin government for 49 years by the Swiss-based Orascom Development Holding and, over several years of construction, transformed into a unique hotel that impressively blends history, nature, and modern design.

In 2025, operations were transferred to Banyan Tree as their first European project, who will undertake a refurbishment of the hotel in 2026. It features 32 individually designed rooms and suites, many with direct sea views and private terraces. Culinary delights await at Mamula Island's three restaurants, offering a creative fusion of Mediterranean cuisine and local specialties, with a focus on regional dishes.

Although arriving by car from Dubrovnik is theoretically possible, it's not recommended, as crossing the border into Montenegro involves kilometer-long queues. Mamula is easily accessible from Tivat Airport. Unfortunately, the airport lounge does not serve food. Tivat is served several times a week by various Lufthansa subsidiaries. From Mirista, the hotel's private boat takes you to the island in ten minutes.

www.banyantree.com

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