Ohmm-yogya

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ohmm is a place to experience Javanese tradition and



Just next to "ohmm" the old Buddhist temple "Candi Sari" dated 778 AD is located which used to act as the monastic Buddhist community of the temple "Candi Kalasan" located in the small village of Kalasan close to the Indonesian cultural capital of Yogakarta, not far from the Unesco world heritage sites of "Prambanan" and "Borobudur".

03/09/2026

Tomás Saraceno’s Ancestral Futures at Haus der Kunst. His most ambitious show to date.

Air‑fuelled sculptures. Shared multispecies habitats. Web structures that adapt to pressure. The building becomes a living web of exhibitions, performances, and encounters.

The anchor: The Sanctuary of Water – a permanent land art project in collaboration with the Indigenous communities of Red Atacama, defending ancestral territories against lithium extraction and depleted groundwater.

Water is everywhere. Salt crystals underfoot. Light reflecting off salt‑inspired textures. A reminder that without water, nobody can live.

Pluralistic futures – with an s at the end. On view until February 7, 2027.

📍 Haus der Kunst, Munich

01/09/2026

The wax has been removed. The cloth has been washed. Dried. Revealed.

What began as individual marks — signatures, symbols, wishes drawn in pencil and wax — is now a single Batik cloth. Each guest left a trace of themselves. The wax held their marks. The indigo gave it depth. The boiling water released what was no longer needed.

Now, the cloth speaks for itself.

It tells the story of hands that wrote, hearts that trusted, and moments that will not return — but will also not be forgotten. It is a memory preserved in blue. A record of everyone who was part of this journey. Thank YOU for being part of Redefining Connections.

29/08/2026

During the event, our guests were invited to leave more than just their presence. They left their marks — on a piece of cloth.

Some signed with a pencil, their handwriting tracing a promise onto the fabric, later to be drawn with wax by the artisan. Others wanted to use a canting pen, drawing directly with wax — following a tradition that has been passed down for centuries.

The cloth has now been dipped into indigo. Layer by layer. Time and patience. The wax resisted the dye. The marks remained visible. The cloth became a living archive of everyone who was there.

Our memory, preserved in blue. A record of hands that touched it, hearts that trusted it, and stories that will not fade.

Thank you to everyone who left a mark. You are now part of this cloth. Part of this story. Part of Redefining Connections.

Stay tuned for the final outcome.



Selama acara, para tamu diundang untuk meninggalkan lebih dari sekadar kehadiran. Mereka meninggalkan jejak — di selembar kain.

Ada yang menandatanganinya dengan pensil, tulisan tangan mereka menggoreskan janji di atas kain. Ada p**a yang menggunakan canting, menggambar langsung dengan lilin — mengikuti tradisi yang telah diwariskan selama berabad-abad.

Kain itu kemudian dicelupkan ke dalam indigo. Lapis demi lapis. Waktu dan kesabaran. Lilin menahan pewarna. Jejak-jejak itu tetap terlihat. Kain itu menjadi arsip hidup dari semua orang yang pernah berada di sana.

Ini adalah kenangan, terawetkan dalam warna biru. Catatan dari tangan-tangan yang menyentuhnya, hati yang mempercayakannya, dan cerita-cerita yang tak akan pudar.

Terima kasih kepada semua yang meninggalkan jejak. Anda kini menjadi bagian dari kain ini. Bagian dari cerita ini. Bagian dari Redefining Connections.

28/08/2026

A glimpse. A feeling. A memory.

Let us walk you through the exhibition — not to explain, but to remember. The Nest. The Hammer Board. The Spring Room. Mom’s Room. Each one holding pieces of those who came.

This is just a fragment. The full walkthrough is waiting for you — 22 minutes of stories, silence, and presence.

Watch the full video via the YouTube link in bio.

22/08/2026

Ei Arakawa‑Nash’s Grass Babies, Moon Babies – the 61st Venice Biennale – hands you a doll at the entrance. We held ours through the indoor spaces, out into the garden, under those iconic pilotis that Yoshizaka Takamasa designed seventy years ago. The sound of the artist’s twin babies filled the air. Screens played films that refused any easy reading of „Japanese“ identity – diaspora, q***rness, entanglement with US and Asian histories.

We carried these dolls collectively. Two hundred of them pop**ated the pavilion. Children and adults alike. The absurdity became the point.

Near the exit, we changed a diaper. An act of care. A QR code appeared. A poem unlocked – generated from entangled twentieth‑century histories that we don’t resolve, we just carry forward.

Curated by Lisa Horikawa and Mizuki Takahashi, commissioned by the Japan Foundation, this pavilion marks 70 years of Japanese participation in the Biennale. But Arakawa‑Nash – a q***r Japanese American artist and parent – doesn’t celebrate monuments. He celebrates labor. Repetition. The unfinished work of raising a generation while reckoning with the one that came before.

We left thinking about Yoshizaka’s concept of „DISCONT“ – discontinuous unity. How we are all discontinuous. And how, for a brief moment in that pavilion, we were united by the weight of a plastic doll and the promise of a poem.

📍 Japan Pavilion, Giardini

21/08/2026

We gathered with artist Anik Indrayani — not to make something new, but to learn from what already exists.

The workshop began with a short briefing by Mbak Anik, who shared the philosophy and process of ecoprinting. A reminder that colour does not need to be manufactured. It can be borrowed from nature, with care and gratitude.

Together, we walked through ohmmstay garden — collecting leaves and flowers, each one chosen for its shape, its pigment, its potential. Then we placed them on fabric, wrapped them tightly, and let the steam do what only nature can: transfer life onto cloth.

One final step — soaking the tote bags in a mixture of water and alum — happens at home. A quiet closing ritual, away from the workshop.

This is not just about printing on fabric. It is about learning to see what grows around us. And to understand that creating responsibly means listening to nature, not dominating it.

Thank you, Mbak Anik, for guiding us. And thank you to everyone who came with open hands and curious hearts.

20/08/2026

Redefining Connections - Rhythm & Revelry. The third day.

This was the day we gathered the ones who have been with us from the very beginning. Long-term friends. The people who believed in us when there was nothing yet to believe in. Who stayed through the quiet years, through the doubts, through the small victories and the big questions.

They walked into ohmmstay with a knowing smile — not as guests, but as family. They also placed their stones in the Nest, hammered their nails into the board. They wrote wishes that will never be read and signed our tablecloth leaving marks that will remain.

But more than anything, they filled the space with laughter, with memories, with the kind of presence that only comes from years of shared history.

This was not a gathering of friends. It was a homecoming of family.

The day was slower, warmer, more playful. We ate together. We danced. We remembered. We let the rhythm carry us.

And as the sun went down, we realized — this was not an ending. It was a deepening.

Thank you to everyone who has been part of this journey. From the first day to this one. You made it what it was.

17/08/2026

Redefining Connection - Hands & Vision. The second day.

Something shifted when the second invited group reached ohmmstay. Not because of who they are — but because of what they carry. Decades of shaping ideas into forms to inspire. Countless hours spent in studios, ateliers, and workshops. Hands that have held brushes, needles, fabrics, and dreams.

They received blessings at the temple, placed stones in the Nest, hammered nails into the board, wrote wishes we will never read, signed their names on a tablecloth that will outlast us all.

But what we felt was not just their presence. It was their trust. The quiet understanding that we are all part of something larger than ourselves.

This day was not about what we made. It was about who we made it with. About the hands that shape, the minds that imagine, and the vision that holds it all together.

We laughed. We shared. We created. We connected.

And we will carry this day with us.

16/08/2026

Redefining Connections - Roots & Reflections. The first day. And something shifted.

We drew Batik by hand — following lines that have been traced for centuries. We sat together, sharing food that carries the taste of home. We watched dances that are older than any of us, moving through the air like memories that refuse to fade.

We walked through exhibitions that hold our stories — fragments of who we were, who we have lost, who we are still becoming. And we left traces of ourselves. In stones that carry wishes we will never read. In nails that hold a pattern only we can see. In bowls of rice hiding secrets we chose to offer. In names written on a cloth that will outlive us all.

This day was not about any single thing. It was about the space between them. The conversations that flowed like water. The silences that spoke louder than words. The quiet understanding that we are all connected — through time, through memory, through love.

We came as individuals. We leave as something more.

Thank you for filling this day with presence, with care, and with meaning. This was only the beginning.

Have you ever wondered how leaves, flowers, and bark can leave their mark on fabric — without a single drop of synthetic...
09/08/2026

Have you ever wondered how leaves, flowers, and bark can leave their mark on fabric — without a single drop of synthetic dye?

That is the magic of eco-printing.

Unlike conventional textile printing that relies on chemical-laden inks and generates industrial waste, eco-printing is a natural dyeing technique that transfers the colours and patterns of plant materials directly onto fabric. Leaves, flowers, and bark — locally sourced, renewable, and biodegradable — become the pigments. No toxic chemicals. No heavy metal mordants. Just nature, pressed and steamed into cloth.

It is a practice that blends art with sustainability, reduces environmental impact, and redefines what it means to create responsibly.

Join us for an Eco-Printing Workshop with Anik Indrayani from the Empu collective. There are two slots:

Dates: 19 August & 23 August 2026
Time: 15:00 – 17:00 WIB
Fee: 150,000 IDR (includes your own eco-printed tote bag, snacks, and drinks)

Spaces are limited. DM us to secure your spot.

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Pernahkah Anda bertanya-tanya bagaimana daun, bunga, dan kulit kayu bisa meninggalkan jejak di kain — tanpa satu tetes pun pewarna sintetis?

Itulah keajaiban eco-printing.

Berbeda dengan teknik pencetakan tekstil konvensional yang bergantung pada tinta kimia dan menghasilkan limbah industri, eco-printing adalah teknik pewarnaan alami yang memindahkan warna dan motif dari bahan tumbuhan langsung ke kain. Daun, bunga, dan kulit kayu — bahan lokal yang terbarukan dan dapat terurai secara hayati — menjadi pigmennya. Tanpa bahan kimia beracun. Tanpa mordan logam berat. Hanya alam, yang ditekan dan dikukus ke dalam kain.

Ini adalah praktik yang memadukan seni dengan keberlanjutan, mengurangi dampak lingkungan, dan mendefinisikan ulang makna berkarya secara bertanggung jawab.

Bergabunglah dalam Workshop Eco-Printing bersama Anik Indrayani dari kolektif Empu.

Tanggal: 19 Agustus & 23 Agustus 2026
Waktu: 15.00 – 17.00 WIB
Biaya: Rp 150.000 (termasuk tas tote bag hasil eco-print sendiri, camilan, dan minuman)

Tempat terbatas. DM kami untuk mendaftar.

Address

Jalan Solo No. KM 15, Kalasan
Yogyakarta City
55571

Telephone

+6282113301316

Website

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