28/06/2025
We’re proud to unveil a significant addition to the national collection, by Jack B. Yeats. It’s on display from today in our Irish rooms.
Singing ‘The Dark Rosaleen’, Croke Park, reflects a pivotal moment in Irish history. Although it doesn’t explicitly reference the violent events at Croke Park on 21 November 1920, known as Bloody Sunday, its title, setting, and sombre tone evoke the tragedy and its profound and lasting consequences. On that day, during a Gaelic football match between Dublin and Tipperary, Auxiliaries opened fire on the crowd, killing 14 civilians and injuring more than 60 others. Among those killed was Tipperary footballer Michael Hogan.
Dark Rosaleen (‘Róisín Dubh’), the song that the men in the middle of the crowd are singing, was adapted by poet James Clarence Mangan from an Elizabethan poem by a bard of Red Hugh O’Donnell. Set to music in the 19th century, it was widely recognised as an allegory for Ireland. Ballads and ballad singing recur frequently in the work of Jack B. Yeats, who amassed a large collection of songbooks and sheet music over many years.
As one of Yeats’s few overtly political works, this painting stands as a deeply personal response to a seismic moment in Irish history. It’s a lament in the aftermath of the episode rather than a depiction of the violence itself.
The painting was purchased with special support from the Government of Ireland and a generous contribution from a private donor. We would like to thank the Department of Culture, Communications and Sport for their ongoing support.
Images: Jack B. Yeats (1871 – 1957), Singing ‘The Dark Rosaleen’, Croke Park (1921) © Estate of Jack B. Yeats, DACS London / IVARO Dublin 2025