14/10/2026
Over David Bowie en Japan…
In March 1980, David Bowie spent a famous 10-day interlude in Kyoto, Japan, where he collaborated with his long-time creative partner and photographer Masayoshi Sukita..
While this trip took place during the pivotal transitional period between his albums Lodger (released May 1979) and Scary Monsters (and Super Creeps) (released September 1980), the primary reason for his visit was to film a series of television commercials for a Japanese sake/shochu brand called Crystal Jun Rock.
The Backstory of the Kyoto Shoot
Bowie had a deep affection for Kyoto and traditional Japanese culture. He had previously stayed in the city for several weeks in 1979 at Togendo—a house owned by American sinologist David Kidd.
When he returned in March 1980 to shoot the commercial campaign at the serene Shoden-ji Temple, he contacted Sukita to see if they could spend a day taking photos together. Unlike their high-concept studio sessions—such as the famous 1977 shoot that became the cover for "Heroes"—this Kyoto session was wonderfully informal and spontaneous.
Sukita explicitly suggested avoiding typical tourist landmarks or grand shrines. Instead, he wanted to capture Bowie against the backdrop of the everyday life of common people.
Bowie rented a car and drove Sukita around the city himself. Dressed sharply in a suit, black leather trench coat, and a checked scarf, he wandered around completely unbothered by crowds. Because he didn't have an active entourage, most locals had no idea who he was.
Sukita captured Bowie in distinctly mundane settings. Famous frames from this day include Bowie holding onto a strap inside a commuter train on the Hankyu Railway, waiting at Karasuma and Kawaramachi Stations, standing inside a public phone booth on an ordinary street, walking through the historic Nishiki Market, and visiting the traditional art supply store Saiun-do.
Though the photos themselves were not used for the Lodger or Scary Monsters album artwork (the Scary Monsters cover featured a painting based on a Brian Duffy photo session), the trip was deeply intertwined with the music of that era.
For the Crystal Jun Rock commercials he filmed on this trip, Bowie supplied an original, ambient instrumental track called "Crystal Japan." He recorded this track specifically during the Scary Monsters studio sessions.
Biographers and fans view Sukita's 1980 Kyoto photographs as a beautiful, reflective pause in Bowie's career. It caught him right as he was leaving behind the experimental isolation of his "Berlin Trilogy" (Low, "Heroes", and Lodger) and preparing to step into the massive mainstream pop stardom of the 1980s.