25/06/2021
The Black Madonna and the Primal Power of the Feminine Principle Isis and Mary Magdalene: embodiments of the Black Madonna. The Black Madonnas symbolise the knowledge of the Grail, or, the knowledge of the Primal Power of the Feminine Principle, whose embodiments on Earth were, amongst others: Mary Magdalene and her daughter Sarah, the Queen of Sheba and Isis. Black Madonnas are found in large numbers in France, but also in other European countries, such as Belgium, Spain, Italy, Germany, Poland, Switzerland and Austria, and in South America. In south-eastern and central France we find dense concentrations of these Black Madonna statues. They stand on ancient sites sacred to the Primordial Mother – temple sites of the Feminine Principle – on which the church has erected its ph***ic constructions in order to use them for its own control purposes. The Black Madonnas are often found in caves and crypts, with a healing spring in the immediate vicinity. Several of these locations – such as Montserrat and Rocamadour – became places of pilgrimage from which the Church has earned and still earns fortunes.
Ancient Black Madonna site Rennes-le-Château: no statue of the Black Madonna
One well-known ancient Black Madonna site, for instance, is Rennes-le-Château in the eastern Pyrenees of southern France. No trace of a black Madonna image is to be found there (any longer), however. But on the top of a hill, in an age-old, mysterious and mystical landscape, there stands a lovely little church, dedicated to Mary Magdalene. It is located in the middle of the Cathar region. The little church was restored more than a century ago by the remarkable priest Bérenger Saunière. In front of the altar is a bas-relief picture of a kneeling, devout Mary Magdalene in a cave, with a skull and an open book next to her. Saunière, who suddenly became incredibly rich in a mysterious manner, possessed ʻsecretʼ knowledge – that is to say, knowledge that had to remain underground so that it could not be misused by the established order, of which he himself was a part. Saunière expressed this knowledge very cryptically in the bizarre refurbishment of his church. It appears that he painted the bas-relief himself.