07/17/2025
We just spent a week deep in conversation about identity, abstraction, recontextualisation and resistance with a team of writers from Singapore, India and the U.S.
What emerged were four incredible zines that push back against something deeply felt – printed on recycled paper using a Risograph machine and soy-based ink at in Tokyo, Japan.
In KACHA SUTA, meaning raw thread in Bengali, NY-based writer explores the breadth of her relationship to the clothing label 'Made in Bangladesh' – looking at conditions for women working in garment factories and the appropriation of Desi fashion into so-called Scandinavia core and Coachella wear.
published KNOW YOUR HINDUTVA to shed light on the rise of Hindu nationalism in India, critically examining key narratives, fabricated histories and the weaponisation of 'jihad' to expose the underlying Islamophobic propaganda fueling the Hindutva ideology (as distinct from Hinduism).
In an act of resistance against capitalism and cultural attitudes to mental health in Singapore, linguist .oee plunges readers into organised chaos with IN MY HEAD – breaking down stigmas, narratives of othering and the realities of being a young person who refuses to conform in a neoliberal surveillance state.
Pulling ideas from centuries-old Japanese gossip, Connie created her own version of Sei Shōnagon’s PILLOW BOOK. Inspired by scathing judgments of the Heian court and charming observations of all the beautiful little things in life, Connie’s zine explores the tension between two opposing narratives on women’s fashion: the status-obsessed utilitarianism of the industry, and the condemnation of fashion as consumerist sin. Like Shōnagon, Connie defends the pursuit of beauty and craftsmanship for its own sake
All print runs are super limited – contact us if you'd like to learn more about the authors and their work.
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