Sharpsburg Civil War Ghost Tours & High Priestess Tarot

Sharpsburg Civil War Ghost Tours & High Priestess Tarot A family/history friendly ghost tour about Civil War Sharpsburg. Tours most Saturdays May-December

The Confederate Army launched its September 1862 battle from the Town of Sharpsburg, and when they left they also left behind the dead of their army in the yards of homes, town lots and cemeteries. What happened after is even more startling, and what is happening today is thrilling and connected to the well known event of the past. Enjoy this 1.5 hour tour of the streets and alleys of Sharpsburg a

nd hear about the constant sightings of Confederate soldiers and towns people who formerly held tight bonds and friendships before war took over the town.

RSVP to Benders Public House & Eatery 301-432-5813. Julia will be reading tarot for Galentine’s Day.
02/05/2026

RSVP to Benders Public House & Eatery 301-432-5813. Julia will be reading tarot for Galentine’s Day.

β€οΈπŸŽ‰ Make your reservation for the Ulitmate Girls Night β€οΈπŸŽ‰

11/27/2025

Sixteen Seasons of Spirits and Stories

Sharpsburg Civil War Ghost Tours, Tarot Readings, and the Magic of 2025

As the 2025 season winds down and the last lanterns are stored away for winter, I’ve found myself looking backβ€”maybe more than usualβ€”on what sixteen seasons of Sharpsburg Civil War Ghost Tours have meant to me, to Julia, and to the thousands of people who have walked through the quiet nighttime streets with us. Sixteen years is a long stretch for any small-town venture, but for a ghost tour in a place as hauntedβ€”historically and emotionallyβ€”as Sharpsburg, those years feel full to the brim. They’ve shaped us as much as the stories we tell.

Julia began reading tarot for visitors somewhere around 2015. She had already been doing readings for decadesβ€”over thirty years nowβ€”and her instincts remain sharper than any deck of cards could ever account for. Her readings have become a beloved tradition before or after the tour, something people ask about specifically. It isn’t just fortune-telling; it’s a quiet moment of reflection offered to anyone who wants it, a little window where life feels more connected, more mysterious, more guided. In a way, it matches what the tours themselves try to hold: the living brushing against the stories of the dead and finding meaning in the contact.

Every year, people ask whether any strange things actually happen on our tours. And the answer, the honest answer, is yesβ€”sometimes they do. Both photographic and physical anomalies are rare, but they are not unheard of. This season, one moment stands out. There’s a particular spot we stop atβ€”an old location with a grim wartime historyβ€”where some visitors swear they smell or taste blood. No one is prompted. No one is told in advance. About three weeks ago, before I said a word, a man on our tour quietly asked, β€œDoes anyone else taste metal?” I just nodded. That’s the sort of thing you can’t plan, can’t stage, and can’t deny.

Another location is notorious for draining camera batteries. Fully charged phones suddenly drop to zero, and thenβ€”once we’ve walked on a bitβ€”spring straight back to 100%. Some photos come out entirely white, others entirely black, and occasionally a string of shots will show pale, orb-like lights drifting along the paved alley as though they’re moving with intention. Is it paranormal? Is it technical? Is it the imagination? That’s up to the visitor. But it’s fun, and it’s part of what makes each tour unique.

But the truth is, running this tour is also a commitmentβ€”a real one. Saturday nights from May through November are no small thing, and I’m no longer the fit, fast-footed guide I was when this all began. Sixteen years have turned me from a spry fifty-something into someone dealing with neurological challenges who now walks with a cane. Tonight, in fact, I misstepped and leaned hard into a patron who steadied me before I fell. It’s humbling. It’s frustrating. It’s also a reminder of why I still do this.

Because at the end of each tour, there’s applauseβ€”gentle, sincere, encouraging. And the smiles. The smiles are the fuel that keeps this whole endeavor going. I can tell you there is a warmth in those moments that’s hard to articulate, a simple human connection that feels rarer with every passing year.

Over sixteen seasons we’ve entertained thousandsβ€”school groups, scout troops, historical societies, senior groups, libraries, genealogists, tourists, skeptics, believers. We’ve given countless free virtual tours for organizations who wanted to learn about Civil War ghost stories but couldn’t be here in person. What we do is not only about ghosts. It’s about context. It’s about the way history and memory blur after dark. It’s about introducing people to long-forgotten namesβ€”soldiers, civilians, childrenβ€”whose lives once touched the ground we stand on.

Almost always, when we ask if anyone has ever heard of the people we mention, the group falls silent. And that silence tells us why the stories matter. We aren’t mocking the dead, nor are we exploiting tragedy. We’re keeping their stories alive. If anything, it’s an act of honoring, not haunting.

Soon I’ll sit down and prepare the 2026 calendar. We always begin the season around St. Patrick’s Day with our Irish Brigade Ghost Tourβ€”stories of Irish soldiers, Irish families of Sharpsburg, and all the humor and sorrow that came with their presence here. It’s become a tradition all its own.

And if you’ve never been on one of our tours, we’d love to have you. Truly. When we say β€œfamily,” we mean the community of people who support us, walk with us, laugh with us, believe in what we’re doing, and help us keep these stories alive.

Here’s to the ghosts, the history, the tarot cards, the chilly alleys, the sudden camera glitches, the unexplainable whispersβ€”and to another season in 2026.

πšπš’πš—πšπš’πš—πš πšπš˜πš› πšˆπš˜πšžπš› π™»πš’πšπšŽ: πšƒπš‘πšŽ πš‚πšŠπš’πš—πšπšœ, πšπš‘πšŽ πš‚πš˜πšžπš•πšœ, πšŠπš—πš πšπš‘πšŽ πš‚πš•πš’πšπš‘πšπš•πš’ π™Ώπš›πšŽπš–πšŠπšπšžπš›πšŽπš•πš’ π™±πšžπš›πš’πšŽπš 𝙰 π™΅πš’πš›πšœπš πšƒπš‘πš˜πšžπšπš‘πš π™΄πšœπšœπšŠπš’  πš‚πš’πš—πšŒπšŽ 𝙸 πš•πšŽπšŠπš πšπš‘...
11/03/2025

πšπš’πš—πšπš’πš—πš πšπš˜πš› πšˆπš˜πšžπš› π™»πš’πšπšŽ: πšƒπš‘πšŽ πš‚πšŠπš’πš—πšπšœ, πšπš‘πšŽ πš‚πš˜πšžπš•πšœ, πšŠπš—πš πšπš‘πšŽ πš‚πš•πš’πšπš‘πšπš•πš’ π™Ώπš›πšŽπš–πšŠπšπšžπš›πšŽπš•πš’ π™±πšžπš›πš’πšŽπš
𝙰 π™΅πš’πš›πšœπš πšƒπš‘πš˜πšžπšπš‘πš π™΄πšœπšœπšŠπš’

πš‚πš’πš—πšŒπšŽ 𝙸 πš•πšŽπšŠπš πšπš‘πš˜πšœπš πšπš˜πšžπš›πšœ πš’πš— πš‚πš‘πšŠπš›πš™πšœπš‹πšžπš›πš πš™πš›πšŠπšŒπšπš’πšŒπšŠπš•πš•πš’ πšŽπšŸπšŽπš›πš’ πš‚πšŠπšπšžπš›πšπšŠπš’ πš—πš’πšπš‘πš πšπš›πš˜πš– π™ΌπšŠπš’ πšπš‘πš›πš˜πšžπšπš‘ π™½πš˜πšŸπšŽπš–πš‹πšŽπš›, 𝙸 πšœπš™πšŽπš—πš 𝚊 πš•πš˜πš 𝚘𝚏 πšπš’πš–πšŽ πšπš‘πš’πš—πš”πš’πš—πš πšŠπš‹πš˜πšžπš πšπš‘πš’πš—πšπšœ πš•πš’πš”πšŽ πš™πš›πšŽπš–πšŠπšπšžπš›πšŽ πš‹πšžπš›πš’πšŠπš•πšœ, πš•πšŠπšπšŽ πšŠπš πšŠπš”πšŽπš—πš’πš—πšπšœ, πšŠπš—πš πšπš‘πšŽ πšœπšπš›πšŠπš—πšπšŽ, πš‘πš˜πš™πšŽπšπšžπš• πšŒπš˜πš—πšπš›πšŠπš™πšπš’πš˜πš—πšœ πš™πšŽπš˜πš™πš•πšŽ πš‹πšžπš’πš•πš 𝚝𝚘 πš–πšŠπš”πšŽ πšœπšžπš›πšŽ πšπš‘πšŽπš’ πšπš’πšπš—β€™πš πšŽπš—πš πšžπš™ πšœπš™πšŽπš—πšπš’πš—πš πšŽπšπšŽπš›πš—πš’πšπš’ πš’πš— πšπš‘πšŽ πš πš›πš˜πš—πš πšŒπšŠπšπšŽπšπš˜πš›πš’.

π™Ύπš—πšŽ 𝚘𝚏 πšπš‘πšŽ πšœπšπš˜πš›πš’πšŽπšœ 𝙸 πšπšŽπš•πš• πš’πšœ πšŒπšŠπš•πš•πšŽπš β€œπšƒπš‘πšŽ π™³πšŽπšŠπš πšπš’πš—πšπšŽπš›,” πšπš‘πš˜πšžπšπš‘ πšŠπš›πš˜πšžπš—πš πšπš˜πš πš— πš’πšβ€™πšœ πšŠπš•πšœπš˜ πš”πš—πš˜πš πš— 𝚊𝚜 β€œπ™° πš…πš’πšœπš’πš πšπš›πš˜πš– π™Ώπš›πš’πšŸπšŠπšπšŽ πš†πš˜πš˜πš.” π™Έπš 𝚠𝚎𝚊𝚟𝚎𝚜 πšπš˜πšπšŽπšπš‘πšŽπš› πšπš‘πš›πšŽπšŽ πšŽπšŽπš›πš’πšŽ πšŽπšŸπšŽπš—πšπšœβ€”πš˜πš—πšŽ πšπš›πš˜πš– 𝟷𝟾𝟹𝟸, πš˜πš—πšŽ πšπš›πš˜πš– 𝟷𝟾𝟼𝟸, πšŠπš—πš πš˜πš—πšŽ πšπš›πš˜πš– πŸΈπŸΆπŸΈπŸΈβ€”πšŠπš•πš• πšŒπš˜πš—πš—πšŽπšŒπšπšŽπš, πšœπš˜πš–πšŽπš‘πš˜πš , πš‹πš’ πšπš‘πšŽ πšœπšŠπš–πšŽ πšπš›πš˜πšžπš—πš πšŠπš—πš πšπš‘πšŽ πšœπšŠπš–πšŽ πšžπš—πšŽπšŠπšœπš’ πššπšžπšŽπšœπšπš’πš˜πš—:

πš πš‘πšŠπš πš’πš πšœπš˜πš–πšŽπš˜πš—πšŽ πš πšŠπšœπš—β€™πš πššπšžπš’πšπšŽ 𝚊𝚜 𝚍𝚎𝚊𝚍 𝚊𝚜 𝚠𝚎 πšπš‘πš˜πšžπšπš‘πš?

πšƒπš‘πšŠπš πššπšžπšŽπšœπšπš’πš˜πš— πš‘πšŠπšœ πš‘πšŠπšžπš—πšπšŽπš πš™πšŽπš˜πš™πš•πšŽ πšπš˜πš› πšŒπšŽπš—πšπšžπš›πš’πšŽπšœ. π™³πšžπš›πš’πš—πš πšπš‘πšŽ πš™πš•πšŠπšπšžπšŽ πš’πšŽπšŠπš›πšœ πš’πš— π™»πš˜πš—πšπš˜πš—β€”πš πš‘πšŽπš›πšŽ β€œπ™±πš›πš’πš—πš 𝚘𝚞𝚝 πš’πš˜πšžπš› 𝚍𝚎𝚊𝚍!” 𝚠𝚊𝚜 πš–πš˜πš›πšŽ 𝚘𝚏 𝚊 πš™πšžπš‹πš•πš’πšŒ πšœπšŽπš›πšŸπš’πšŒπšŽ πšŠπš—πš—πš˜πšžπš—πšŒπšŽπš–πšŽπš—πš πšπš‘πšŠπš— 𝚊 πš›πšŽπššπšžπšŽπšœπšβ€”πšπš‘πšŽ πš•πš’πšŸπš’πš—πš πš πšŽπš›πšŽπš—β€™πš πšŠπš•πš πšŠπš’πšœ πšŸπšŽπš›πš’ 𝚐𝚘𝚘𝚍 𝚊𝚝 πšπšŽπš•πš•πš’πš—πš πš πš‘πš˜ 𝚠𝚊𝚜 πš πš‘πš˜.

π™³πš˜πšŒπšπš˜πš›πšœ, πš›πšŽπš•πš’πš’πš—πš πš˜πš— πšπš‘πšŽ πš–πšŽπšπš’πšŒπšŠπš• πš™πš›πšŽπšŒπš’πšœπš’πš˜πš— 𝚘𝚏 𝚊 πšπšŠπš–πš™ πš‘πšŠπš—πšπš”πšŽπš›πšŒπš‘πš’πšŽπš πšŠπš—πš πš πš’πšœπš‘πšπšžπš• πšπš‘πš’πš—πš”πš’πš—πš, πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ πšŒπš˜πš—πšπšžπšœπšŽπš 𝚊 πšπšŠπš’πš—πšπš’πš—πš πšœπš™πšŽπš•πš• πšπš˜πš› πšπš‘πšŽ πšπš’πš—πšŠπš• πšŒπšžπš›πšπšŠπš’πš—.

π™ΏπšŽπš˜πš™πš•πšŽ πš πšŽπš›πšŽ πš‹πšžπš›πš’πšŽπš 𝚏𝚊𝚜𝚝 𝚝𝚘 πš™πš›πšŽπšŸπšŽπš—πš πšπš’πšœπšŽπšŠπšœπšŽβ€¦ πšŠπš—πš πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ 𝚊 πš•πš’πšπšπš•πšŽ 𝚝𝚘𝚘 𝚏𝚊𝚜𝚝.

πšƒπš‘πšŽ πš‘πš˜πš›πš›πš˜πš› 𝚠𝚊𝚜 πšπš’πšœπšŒπš˜πšŸπšŽπš›πšŽπš πš πš‘πšŽπš— πšπš›πšŠπšŸπšŽ πš›πš˜πš‹πš‹πšŽπš›πšœ πšŠπš—πš πš–πšŽπšπš’πšŒπšŠπš• πšœπšπšžπšπšŽπš—πšπšœβ€”πšπš πš˜ πš™πš›πš˜πšπšŽπšœπšœπš’πš˜πš—πšœ πš πš’πšπš‘ πš–πš˜πš›πšŽ πš˜πšŸπšŽπš›πš•πšŠπš™ πšπš‘πšŠπš— πšŠπš—πš’πš˜πš—πšŽ πšŠπšπš–πš’πšπšœβ€”πšœπšπšŠπš›πšπšŽπš πšžπš—πšŽπšŠπš›πšπš‘πš’πš—πš πšŒπš˜πšπšπš’πš—πšœ πšœπšŒπš›πšŠπšπšŒπš‘πšŽπš πšπš›πš˜πš– πšπš‘πšŽ πš’πš—πšœπš’πšπšŽ.

πš‚πš˜ πš‹πšŽπšπšŠπš— πš˜πš—πšŽ 𝚘𝚏 πš‘πš’πšœπšπš˜πš›πš’β€™πšœ πš–πš˜πšœπš πš—πšŽπš›πšŸπš˜πšžπšœ πš’πš—πšŸπšŽπš—πšπš’πš˜πš—πšœ: πšπš‘πšŽ 𝚜𝚊𝚏𝚎𝚝𝚒 πšŒπš˜πšπšπš’πš—. πšƒπš‘πšŽ πš’πšπšŽπšŠ 𝚠𝚊𝚜 πšœπš’πš–πš™πš•πšŽ πšŠπš—πš πšπšŽπšœπš™πšŽπš›πšŠπšπšŽ. πšƒπš’πšŽ 𝚊 πšœπšπš›πš’πš—πš πšŠπš›πš˜πšžπš—πš πšπš‘πšŽ πš πš›πš’πšœπš 𝚘𝚏 πšπš‘πšŽ πš—πšŽπš πš•πš’ β€œπšπšŽπš™πšŠπš›πšπšŽπš,” πš›πšžπš— πš’πš πšπš‘πš›πš˜πšžπšπš‘ 𝚊 πš™πš’πš™πšŽ 𝚝𝚘 πšπš‘πšŽ πšœπšžπš›πšπšŠπšŒπšŽ, πšŠπš—πš πšŠπšπšπšŠπšŒπš‘ πš’πš 𝚝𝚘 𝚊 πš‹πšŽπš•πš•.

πš‚πš‘πš˜πšžπš•πš πšπš‘πšŽ πš•πšŠπšπšŽ π™Όπš›. π™·πš’πšπšπš’πš—πšœ πšπšŽπšŽπš• πšœπšžπšπšπšŽπš—πš•πš’ πš‹πšŽπšπšπšŽπš›, πš‘πšŽ πšŒπš˜πšžπš•πš 𝚝𝚞𝚐 πšπš‘πšŽ πš•πš’πš—πšŽ πšŠπš—πš πšπš’πš—πš!β€”πš‘πšŽ 𝚠𝚊𝚜 πš˜πšπšπš’πšŒπš’πšŠπš•πš•πš’ 𝚜𝚊𝚟𝚎𝚍 πš‹πš’ πšπš‘πšŽ πš‹πšŽπš•πš•.

π™Ύπš πšŒπš˜πšžπš›πšœπšŽ, πšπš‘πšŠπš πš–πšŽπšŠπš—πš πšœπš˜πš–πšŽπš˜πš—πšŽ πš‘πšŠπš 𝚝𝚘 𝚜𝚝𝚊𝚒 πš’πš— πšπš‘πšŽ πšπš›πšŠπšŸπšŽπš’πšŠπš›πš 𝚝𝚘 πš•πš’πšœπšπšŽπš—. π™°πš—πš πšπš‘πšžπšœ 𝚠𝚊𝚜 πš‹πš˜πš›πš— πšπš‘πšŽ πš–πš˜πšœπš πšžπš—πšœπšŽπšπšπš•πš’πš—πš πš“πš˜πš‹ πšπšŽπšœπšŒπš›πš’πš™πšπš’πš˜πš— πšŽπšŸπšŽπš› πš πš›πš’πšπšπšŽπš—:

π™Άπš›πšŠπšŸπšŽπš’πšŠπš›πš πš†πšŠπšπšŒπš‘πš–πšŠπš—β€”π™Όπšžπšœπš πš‹πš›πš’πš—πš πš’πš˜πšžπš› πš˜πš πš— πšœπš‘πš˜πšŸπšŽπš• πšŠπš—πš 𝚜𝚝𝚎𝚊𝚍𝚒 πš—πšŽπš›πšŸπšŽπšœ.

πšƒπš‘πšŽπšœπšŽ πš™πš˜πš˜πš› πšœπš˜πšžπš•πšœ 𝚜𝚊𝚝 πšπš‘πš›πš˜πšžπšπš‘ πš–πš’πšœπšπš’ πš—πš’πšπš‘πšπšœ πšœπšžπš›πš›πš˜πšžπš—πšπšŽπš πš‹πš’ πš‹πšŽπš•πš•πšœ πš˜πš— πš™πš˜πš•πšŽπšœ, πš πšŠπš’πšπš’πš—πš πšπš˜πš› 𝚊 πšœπš˜πšžπš—πš πšπš‘πšŽπš’ πš™πš›πšŠπš’πšŽπš πš—πšŽπšŸπšŽπš› 𝚝𝚘 πš‘πšŽπšŠπš›.

π™΄πšŸπšŽπš›πš’ 𝚐𝚞𝚜𝚝 𝚘𝚏 πš πš’πš—πš πš˜πš› πš™πšŠπšœπšœπš’πš—πš πš›πšŠπš πšŒπš˜πšžπš•πš πšœπšŽπš—πš πšπš‘πšŽπš– πšœπšŒπš›πšŠπš–πš‹πš•πš’πš—πš 𝚝𝚘 πšπš’πš, πšπšŽπš›πš›πš’πšπš’πšŽπš πšπš‘πšŽπš’β€™πš πšπš’πš—πš πšŽπš’πšπš‘πšŽπš› 𝚊 πš–πš’πš›πšŠπšŒπš•πšŽ πš˜πš› 𝚊 πš–πšŽπšœπšœ.

π™±πšžπš πš πš‘πšŽπš— 𝚊 πš‹πšŽπš•πš• πšπš’πš πš›πš’πš—πš, πšŒπš‘πšŠπš˜πšœ πšŽπš›πšžπš™πšπšŽπšβ€”πšœπš‘πš˜πšŸπšŽπš•πšœ πšπš•πš’πš’πš—πš, πš™πš›πšŠπš’πšŽπš›πšœ πš–πšžπšπšπšŽπš›πšŽπš, πšœπš˜πš–πšŽπš˜πš—πšŽ πšœπš‘πš˜πšžπšπš’πš—πš β€œπ™·πšŽβ€™πšœ πšŠπš•πš’πšŸπšŽ!” 𝚊𝚜 πšπš‘πšŽ πš•πš’πš 𝚠𝚊𝚜 πš™πš›πš’πšŽπš πš˜πš™πšŽπš— πšŠπš—πš 𝚊 𝚍𝚊𝚣𝚎𝚍, πšπšžπš›πš’πš˜πšžπšœ β€œπšŒπš˜πš›πš™πšœπšŽβ€ πšπšŠπšœπš™πšŽπš πšπš˜πš› πšŠπš’πš› πšŠπš—πš πšπšŽπš–πšŠπš—πšπšŽπš 𝚝𝚘 πš”πš—πš˜πš  πš πš‘πšŽπš›πšŽ πš‘πš’πšœ πš‘πšŠπš 𝚠𝚊𝚜.

π™΅πš›πš˜πš– πšŠπš•πš• πšπš‘πšŠπš πš™πšŠπš—πš’πšŒ πšŒπšŠπš–πšŽ 𝚊 πš‘πšŠπš—πšπšπšžπš• 𝚘𝚏 πš™πš‘πš›πšŠπšœπšŽπšœ πšπš‘πšŠπš πš˜πšžπšπš•πš’πšŸπšŽπš πšπš‘πšŽ πšŒπš˜πšπšπš’πš—πšœ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ: 𝚜𝚊𝚟𝚎𝚍 πš‹πš’ πšπš‘πšŽ πš‹πšŽπš•πš• πšπš˜πš› πšπš‘πšŽ πš•πšžπšŒπš”πš’ 𝚏𝚎𝚠, πšπš›πšŠπšŸπšŽπš’πšŠπš›πš πšœπš‘πš’πšπš πšπš˜πš› πšπš‘πšŽ πš™πš˜πš˜πš› πš πšŠπšπšŒπš‘πš–πšŽπš—, πšŠπš—πš 𝚍𝚎𝚊𝚍 πš›πš’πš—πšπšŽπš› πšπš˜πš› πšŠπš—πš’πš˜πš—πšŽ πš–πš’πšœπšπšŠπš”πšŽπš— πšπš˜πš› πšπš‘πšŽ πšπšŽπšŠπš›πš•πš’ πšπšŽπš™πšŠπš›πšπšŽπš.

πšƒπš‘πšŽπšœπšŽ 𝚍𝚊𝚒𝚜, 𝚠𝚎 πš•πšŠπšžπšπš‘ πšŠπš‹πš˜πšžπš πš’πš πš˜πš— πšπš‘πšŽ π™Άπš‘πš˜πšœπš πšƒπš˜πšžπš›, πšœπšπšŠπš—πšπš’πš—πš πšžπš—πšπšŽπš› πšπš‘πšŽ πšœπšŠπš–πšŽ πšœπšπšŠπš›πšœ πšπš‘πšŠπš πš πšŠπšπšŒπš‘πšŽπš πš˜πšŸπšŽπš› πšπš‘πšŽ πšœπšŠπš–πšŽ πšπš›πš˜πšžπš—πš πš’πš— 𝟷𝟾𝟹𝟸, 𝟷𝟾𝟼𝟸, πšŠπš—πš 𝟸𝟢𝟸𝟸.

𝙸 πšπšŽπš•πš• πš™πšŽπš˜πš™πš•πšŽ πšπš‘πšŠπš πš‚πš‘πšŠπš›πš™πšœπš‹πšžπš›πš πš‘πšŠπšœ πšŠπš•πš πšŠπš’πšœ πš‘πšŠπš 𝚊 πš”πš—πšŠπšŒπš” πšπš˜πš› πš”πšŽπšŽπš™πš’πš—πš πš’πšπšœ πšœπšπš˜πš›πš’πšŽπšœβ€”πšœπš˜πš–πšŽ πš“πšžπšœπš πšπšŠπš”πšŽ πš•πš˜πš—πšπšŽπš› 𝚝𝚘 πšπš’πš—πš’πšœπš‘ πšπš‘πšŠπš— πš˜πšπš‘πšŽπš›πšœ.

πš‚πš˜, 𝚊𝚜 π™°πš•πš• πš‚πšŠπš’πš—πšπšœβ€™ πšŠπš—πš π™°πš•πš• πš‚πš˜πšžπš•πšœβ€™ π™³πšŠπš’πšœ πšŠπš›πš›πš’πšŸπšŽ, πš•πš’πšπš‘πš 𝚊 πšŒπšŠπš—πšπš•πšŽ, πš™πš˜πšžπš› 𝚊 𝚝𝚘𝚊𝚜𝚝, πšŠπš—πš πš•πš’πšœπšπšŽπš— πšŒπš•πš˜πšœπšŽπš•πš’.

π™Έπš 𝚒𝚘𝚞 πš‘πšŽπšŠπš› 𝚊 πšπšŠπš’πš—πš πšπš’πš—πš! πš’πš— πšπš‘πšŽ πš—πš’πšπš‘πš, πšπš˜πš—β€™πš πš™πšŠπš—πš’πšŒ. π™Έπšβ€™πšœ πš™πš›πš˜πš‹πšŠπš‹πš•πš’ πš“πšžπšœπš πšπš‘πšŽ πš πš’πš—πš.

π™Ύπš› πš–πšŠπš’πš‹πšŽβ€”πš“πšžπšœπš πš–πšŠπš’πš‹πšŽβ€”πš’πšβ€™πšœ π™Ώπš›πš’πšŸπšŠπšπšŽ πš†πš˜πš˜πš πš›πšŽπš–πš’πš—πšπš’πš—πš 𝚞𝚜 πšπš‘πšŠπš πšŽπšŸπšŽπš— πš’πš— πš‚πš‘πšŠπš›πš™πšœπš‹πšžπš›πš, πšœπš˜πš–πšŽ πšœπšπš˜πš›πš’πšŽπšœ πš›πšŽπšπšžπšœπšŽ 𝚝𝚘 𝚜𝚝𝚊𝚒 πš‹πšžπš›πš’πšŽπš.

Join us Saturday November 15, 22, or Wednesday November 26 at 7pm to hear this one and 3 spooky others. πŸ‘»

www.sharpsburgtours.net to reserve
Julia Brugh

The Civil War history of Sharpsburg has led to a rich environment filled with folklore, myths and legends surrounding the events of September 1862. We've collected hundreds of stories from people during 35 years of research, and share them every week using documented historical events to understand.

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Looking for something to do tonight? Drop in on the podcast Most Haunted with Dan Terry to hear the interview I did with him a week or so ago. Was a fun time. I think you will enjoy it. 😊

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We’re down for regularly scheduled Saturday ghost tours, history tours, and tarot at Captain Bender’s Tavern now through November! It’s what we do better than anyone.
We’re busy, but we love it!

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We gained 3,478 followers, created 10 posts and received 223 reactions in the past 90 days! Thank you all for your continued support. We could not have done it without you. πŸ™πŸ€—πŸŽ‰

Have you heard the rarely told tale of the mysterious β€œOld Veteran?” He’s often been seen and his story is intricately t...
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Have you heard the rarely told tale of the mysterious β€œOld Veteran?” He’s often been seen and his story is intricately told on our Children’s Alley Tour, an exclusive tour we present in October and November.

Check out the picture of Veterans marching in Sharpsburg…this gives you some clues as to how the Old Veteran would have dressed.

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