Lavata movements

Lavata movements Taking art and tourism to another level
It not just event it an advanture

17/10/2017

Film and Music Video Submission to Multi Choice
To submit your Content to Mzansi Magic please speak to:
Tebogo Matlawa
Contact: 011 289 3000.
Email: [email protected]
To submit Music Videos to Channel O please speak to.
Gabriella Abrahamse
Contact: 011 289 3000
Email: [email protected]
Please always email them after phone communications to keep track records of the submissions.
Should they give you a problem please speak to SAACYF TV Department.
Thaibiso: 0848643741
Don't Bribe for Air Play, Produce Quality Content and We are Vowing to Fight for it to play. We demand equal opportunities.
Brought to you by the South African Arts and Culture Youth Forum
Follow us on:
Facebook: South African Arts & Culture Youth Forum
Twitter:
Please Share!!!

06/10/2017

If you are seeking US Air Play, Rapper Luca Brassy is your man.
Drop him an email message to [email protected] with the following:
1. your track
2. ISRC No
3. Artist Biography
4. Links to facebook, twitter, instagram and youtube
Please show some

04/10/2017

Please share this information.
KZN Production and Design
Classes for production starting by November.
* Sound Engineering.
* Basic Mixing and Mastering.
* Live and Studio recording as well as Radio Ads/Promo, Station Id and Jingles.
* Knowledge about cables and other equipments to use for a professional sound output.
* introduction:
◇ Cubase
◇ FL Studio
◇ Reason
◇ Wave Plug In
◇ Izotope Plug In
Installation is included in the Course.
We will also create a Whatsapp group where we will be discussing issues and temptations you may face... after the course. Tutorials for each Content will also be provided Also the Attended Certificates.
Don't miss this one, it will help you in differents way, such as music wise and production idea.
Remember: Everyone must have a laptop to attend this course, because 35% for a theory and 65% from practical. This Course will takes 5days. Every Saturday (just to have time to practice). everytime in a class we will also start looking challenges you may face before we move to the next step of a course.
This can help you:
* Church Recording Sales or any live recording including live recording broadcast.
* Create your own music and studio.
* Come up with you own skill in terms of sound maxing and mastering.
* Create and fix broken cables.
* You can also work for Media (Radio and Music other music industries)
For more information:
Contact Philani @071 333 2592 or Email @gmail.com
KZN Production and designs
All comes with a quality

30/08/2017

How To Book A Gig For Your Band In 4 Easy Steps
Live performances are essential to progress your music career. Gigs are a great way to spread word about your music and grow a loyal fan base. But how do you book gigs?
Below are four ways to help you land your next gig:
1. Choose a gig venue
Pick a venue that suits your music genre and target audience. There are some venues that are devoted to particular music genres while others target specific demographics like university students or middle-age crowd. For instance, if your music caters to teens, then you would have to look for a venue that doesn’t have age restrictions. In the same way, a jazz band wouldn’t fit in a club that hosts only rock bands. Therefore, go through the venues’ websites and look at past acts to determine whether you fit in.
2. Find a promoter
You have identified suitable venues for your gig. To get yourself booked, you will have to undertake further research. Find out if the venues have talent buyers, in-house promoters or independent promoters for booking bands and artists.
Promoters are individuals who buy talent. They either work independently or in partnership with booking agents to book musicians. Usually smaller clubs rely on in-house promoters. The owner of the club usually takes the responsibility for booking talent. On the other hand, large clubs seek outside promoters who usually just hire the venue and its facilities for every show.
Find contact details of the people in charge of booking shows and send them your music demo and press kit. Call the venue to get this information. Further, look up the venues’ pitching guidelines before you pitch your music to promoters.
3. Send out your demo and electronic press kits to gig venues
Venues and promoters would want to listen to your music before booking you. Make a demo of your music and send it along with an electronic press kit. The press kit can be as brief or as elaborate as you like. However it should include some basic information such as artist/band bio, contact information and a set list. Include your influences, experiences and brief information about the kind of music you make to attract promoters’ attention. Also include details of the venues you have played before. Additionally, include posters or photos in your electronic press kit. Draft a professional email with a strong subject line. Follow the below tips to draft a good pitch email:
Introduce your band. Describe the kind of music you play. Draw comparisons with other similar bands to give the promoters a sense of your music style.
Mention how you would fit in with the venue.
Provide contact details and links to all social media accounts.
Mention your target demographics.
Provide a promotional plan for your gig.
Package all the information in a clear manner before you send it out to venues and promoters.
4. Follow up with gig venues
Follow up with promoters or gig venues if you have not heard from them. Send an email or make a phone call to find out their decision. If you receive a positive response, negotiate a contract. If they reject your pitch, don’t hesitate to ask them why. Accept rejection graciously and take their advice constructively. Make sure your next pitch is good enough to land you a gig.
As independent musicians, getting a gig may seem like a daunting task. However, the rewards of live performances are many. Therefore, follow the above steps to get more gigs

28/08/2017

Before you even consider submitting your music to Radio Stations!
1) Ensure you’re a member of performance rights organisation SAMRO
…and register every song you publish with SAMRO. Among other benefits, it ensures you earn royalties on radio spins of your music. More info on registration here.
2) Make sure the music you submit has an ISRC code.
An ISRC code is a unique code given to every piece of music published. It makes it easy to track radio plays as well as sales. You can get an ISRC code from RISA or from aggregators like TuneCore and CDBaby when uploading your music to digital retailers.
3) Remember the clean versions!
While it would be great to live in a country like Germany where music is heard as intended – swear words and all in tact – South Africa is not that. Submit only clean versions of your music to commercial stations. If you don’t have clean masters, get clean masters made, and remember to register those songs as standalone records with SAMRO and get unique ISRC codes too.
Bonus tip: It is crucial to already have some buzz with your music before going to radio. If you’ve previously uploaded the song to services like Soundcloud and its racking up decent plays or if you have a community of fans backing you and some decent press behind your work, it’s a good story to go to the radio stations with. Remember, big stations don’t want to take risks, they want to make money, and they make money from engaged listeners. Whatever you can do to prove your record is a sure thing that’s already resonating with the target market only serves your case.
Preparing for submission
With all the ‘legal’ admin in place, it’s time to prepare for submission.
1) Make a list of all the stations whose format suits your style of music.
Radio is not a free for all. Stations have specific formats – a catch all term for ‘genres and styles of music played’ – they adhere to. It’s unlikely SAFM will ever play AKA and Yanga’s ‘Dreamwork‘, and equally unlikely Ukhozi will play James Blake’s latest bangers.
Establish which stations your songs are appropriate for, which radio hosts your songs may resonate with, and make a list of them.
2) Establish the station’s submission procedure
Every major station will have specific instructions for music submission. This will include submission addresses, file formats they accept, submission deadlines, and when to expect feedback (if at all). This info is usually a Google search away. Most SABC radio stations have a FAQ page with this info.
You’ll find the info, but here are the main ones:
Metro FM
5FM
Ukhozi
Good Hope FM
Bonus tip: Look beyond the major stations when preparing your list! Campus radio, community radio and online radio (even though it’s painfully nascent) are all viable.
The submission process
1) Submit your music in time for your desired week’s deadline.
At most stations music submitted one week will be on the playlist the following week. If you have a strategy around radio releasing your music at a specific time, keep this in mind, but don’t bank on the radio playlisting your song as the main hype.
2) Follow the submission protocol the station advises… and sell yourself
4kas

7Digital | AppleEurope | Beatport | Cylo Media | Deezer | Google Music | Musical.ly | Shazam | Simfy Africa | Spice | Sp...
10/07/2017

7Digital | AppleEurope | Beatport | Cylo Media | Deezer | Google Music | Musical.ly | Shazam | Simfy Africa | Spice | Sportify | JOOX | Vodacom OnMobile | Vodacom MondiaMedia | YouTube

29/06/2017

Have you visited the SAMRO website lately?
Our latest Beat Bulletin newsletter features an interview with singer-songwriter Donald + we tell you all about Concerts SA free online toolkit aimed at giving musicians a head start. All here ---->

NEWS

 # Resources |  # ConcertsSA ’s free online toolkit to give musicians a headstart:"South African music promoters and mus...
16/06/2017

# Resources | # ConcertsSA ’s free online toolkit to give musicians a headstart:
"South African music promoters and musicians can now access a handy online toolkit to help them with funding applications, marketing, concert production and other essential skills to help them get ahead in the industry."
As part of Concerts SA # Exchange programme with Kulturtanken - Arts for Young Audiences Norway ,we partnered with the Norske Konsertarrangører (Norwegian Live Music Association) to adapt its online toolkit for South African music professionals to use and draw benefit from. This web-based resource is now available for free public access by South African music professionals.
The seven chapters include user-friendly guides on how to apply for funding and grants;how to book and manage artists; how to work with finances and calculate budgets, and more.
Download: https://goo.gl/TbRWmj

South African music promoters and musicians can now access a handy online toolkit to help them with funding applications, marketing, concert production and

28/03/2017

Are you between 18 and 35 years old, have a South African I.D and are available full time for 6 months? Do you have a matric certificate and a great motivation to get into the television industry? Looking to get trained in Television Production?
Send your CV, LOCATION and motivation to [email protected]

28/03/2017

Tag
# RespectArt to show love and respect to art

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